First time posting here. I think this counts as a pretty damn unpopular opinion, judging off of how even the main and folk CSM reddits respectively find this ending to be dogshit. I’ve already posted there before, but now I wanna see what non CSM related subs are like in terms of reception.
HUGE SPOILER WARNING
I loved it. Made a big post about it here (which tbh its a bit clunky and outdated, only really addressing people’s complaints about the story and why I don’t find them to be a deal breaker. I am a god awful writer tho either way lol)
https://www.reddit.com/r/ChainsawMan/s/fFc2eiosLu
But to try to summarise my thoughts without wasting too much time:
Structurally creative & unpredictable, with the latter being SUPER important as to how I enjoy a story. The Deus Ex Machina was well done to me, ala David Lynch’s Wild At Heart, WITHOUT feeling like it sacrificed the story’s signature atmosphere and break-neck pacing OR its recurring themes.
I found the reset to be consistent (rather than nonsensical, underdeveloped or out of nowhere) with the series’s established rules AND was even foreshadowed. Denji & Asa escaping this current, shitty world was set up as early as the Aquarium arc. Then doubly reinforced in Aging Arc, with Denji’s line to Asa.
Hell, the Fake Chainsaw Man says on TV that he will make a “devilless world” where “Adam and Eve” can live. Guess what the REAL Chainsaw Man did to the dynamic Man and Woman duo of the manga.. moments after they shared their SIN of patricide to one another. Pretty blatant foreshadowing there.
Finally, as a little cherry on top, I’d say it's a sincere, personal and genuine ending from Fujimoto. Pochita literally ends the Chainsaw Man manga by erasing Chainsaw Man, giving the story a bit of self awareness and metaness.
The themes & such throughout the entire part covers many of his recurring topics, from abusive parents, to dreams, to hero and idol worship. Hell, it even ties together his interviews, from the Mongolian Street Child, to Spirited Away, to the Big Lebowski, to the American Sniper (and funnily enough I hate these last two films LMAO). He’s got consistent things he wants to talk about, and I respect that.
I believe this is more sincere and auteur driven than how most shonen stories end, where they its based purely on the characters/plot.
Extra tidbit: Art downgraded in terms of detail & realism but the final arc has some of the best usages of speed lines and camera work in the ENTIRE manga. Pochita Vs Yoru was great.
Besides my linked post + everything I’ve written here, I would like to also bring forward these other positive links about the story that I found to be great.
https://www.reddit.com/r/ChainsawMan/s/nA9DMj7Gnh (Summary/Analysis of all of Part 2 after reread)
-https://www.reddit.com/r/ChainsawMan/s/hsAXDyTRCp (Part 2 Ending thoughts)
-https://www.reddit.com/r/ChainsawMan/s/G5gXNJG1Di (Its time to grow up - the meaning behind Chapter 231)
-https://www.reddit.com/r/ChainsawMan/s/7g9MY0j0jp (Pochita is Denji’s Father psychoanalysis)
-https://www.reddit.com/r/ChainsawManTheories/s/1nnGgBsT9W (long analysis - chainsaw man has a rigorous structure)
-What 'Chainsaw Man' and 'Evangelion' Share in Their Endings https://gizmodo.com/chainsaw-man-chapter-232-ending-evangelion-2000737905
-https://note.com/uzume369/n/n6c7aee488e6b (really good Japanese review about the story, translated it using Google and AI ofc but the meaning should still be retained)
-https://x.com/bpm120run/status/2040710050365559238?s=46 (another Japanese perspective on twitter)
Comments with nice interpretations:
-https://www.reddit.com/r/ChainsawMan/s/I4JesZLi5m (Chapter 219 analysis)
-https://www.reddit.com/r/Chainsawfolk/s/oo11Oyezz4 (Yoru final moments analysis)
-https://www.reddit.com/r/Chainsawfolk/s/fkQiIzVpuv (Theory on Death Devil’s true intentions)
Definitely more out there but these are the ones that stuck with me.
TLDR: Way overblown hate. Worst manga ending of all time is insane. Way worse than Part 1 doesn’t make sense to me. In fact, I can understand hating ALL of Chainsaw Man for being incredibly derivative or for an overall critique on Fujimoto’s writing, rather than hating squarely on the ending.