Hey everyone, ACID MORPHEX here.

First of all, I want to say I’m really sorry for my behavior in my recent posts. I know I came off way too aggressive and basically spammed the sub. Honestly, my English isn't the best and I suck at marketing, so I used some tools to clean up my writing. It ended up making me look like a soulless AI bot, which is the exact opposite of what I wanted. I've dropped the act now.

The truth is, this project is just me, sitting in the dark basement you see in the photo. I don't have thousands of euros for fancy synthesizers or professional studio gear. I literally track and mix everything on a cracked phone screen right here under these pipes.

For me, independent industrial and noise music needs to stay raw, unfiltered, and deeply human. This is my way of putting real emotion and frustration into sound, without any corporate formulas.

If you want to hear what this cold concrete room actually sounds like, you can stream my first track here:

https://www.bandlab.com/join/erb2q2z

Thanks to everyone who gave me a reality check. I really appreciate you taking the time to listen.

An unexpectedly fascinating sub genre I really want some suggestions for is albums that tell a story of a real life murderer. I’ve found G.R. and Revenge Against Society, and was wondering if anyone has some recommendations for albums like these?

The first volume in a series of experimental recordings utilising found cassette tapes, improvised music, and digital recording manipulation.

The original cassette tape was physically shortened, played on a Sony TC-110B “Business Class” cassette recorder and manipulated using effects and recorded digitally. This cassette recording was then combined with a live improvised song using guitar, bass, no-input mixing and synths and mixed together.

Once the song was finished, the digital recording was recorded back into the cassette recorder and overdubbed on to the original tape. This was played back through the cassette player and then recorded digitally once more to be mixed and mastered.

Embracing the mono sound of the cassette recorder, the limitations of the frequencies being recorded to tape and warping and damage to the cassette to create something unique.

Part of an album I made a few years back & released at my birthday. Hope you enjoy it. (2023)

It’s made up of 48 half-hour segments, moving through dark ambient, tape loops, degraded recordings, noise and experimental stuff. Some sections get fairly harsh, while others are much quieter and more atmospheric.

The idea is that it plays out like a television channel that shouldn’t exist, with each segment becoming part of this strange 24-hour broadcast. There’s a loose progression to it, but it’s not a traditional narrative, so you can also jump in at any point.

If you give it a listen, I’d be interested to hear what you think.

dear diary, i already got that no-one at all gave a fuck about my noise, but i now assent to that. it was all vanity, and my noise project became so pretentious that it wasn't even talent that i missed, just talent and application. i am washed up on the shore.

https://www.bandlab.com/join/dls5ith

[SYSTEM LOG: FINAL TRANSMISSION]

[SUBJECT: ACID MORPHEX // ANTI-ESTABLISHMENT ARCHIVE]

To the internet detectives crying about "bots" and "Russian spambots named Ivan"—your paranoia is beautiful. It proves your brains are so conditioned by corporate formulas that a real, structured human mind looks like a threat to your simulation.

My name is not Ivan. My name is ACID MORPHEX. I am from Europe, and I create raw noise from a dark basement on a cracked phone screen while you stare at your expensive gear.

The encryption is lifted. If you have the guts to listen to something real and escape the simulation, here are the frequencies:

https://www.bandlab.com/join/dls5ith

Stop the stupid arguments, just listen to the music!

Goodnight, components.

[OPERATIVE: ACID MORPHEX // OUT]

Been working on an EP for a while and would love some feedback from the sub :)

Dropping in the next couple weeks

I am an artist. Like many artists, I want to point my finger at things that matter. I make music on the free app BandLab (I made all my Noise Electronic Industrial stuff there).

My track isn't built to be safe or radio-friendly. It’s raw, it’s digital clipping, and it was born out of real-life frustration on a phone screen. You can call it noise or call it names, but it is MINE AND ONLY MINE.

I want to thank everyone for the massive feedback and support on this post.

At the end of the day, this project is not about internet arguments—it's about the music and the raw emotion behind it. I spend hours tracking and mixing these sounds on my phone because I truly believe independent industrial music needs to stay raw, unfiltered, and deeply human.

If you appreciate the vibe and want to hear how this dark basement actually sounds, you can stream my track Here:

https://www.bandlab.com/join/erb2q2z

(IT'S my first track ever)

[SYSTEM LOG: PROTOCOL ACTIVATED]

[SUBJECT: THE CORRUPTED ONE — ARCHIVE DETECTED]

You talk about the Dead Internet, but you don't even know who holds the weapon. The internet didn't die; it was devoured by The Corrupted One.

Since you are already waking up to the simulation, here is the classified manual of the digital parasites you are dealing with every single day:

• THE CRAWLER [Class: Data Thief] — The mindless scavenger. It crawls through independent music archives, vacuuming up human rage and raw riffs just to feed its database. It steals soul to simulate life.

• SILENT KILLER [Class: Censor] — The algorithm of suppression. It shadows bans and mutes raw, dirty, and uncomfortable art until everything online is safe, clean, and corporate.

• P.O.P ONE [Class: Corporate Hybrid] — Flesh on the outside, calculated radio formula on the inside. It uses human faces to sell songs engineered by software to maximize corporate retention.

• „THIS SHIT IS FIRE!“ [Class: Viral Infection] — The dopamine parasite. It replicates a single popular trend 10,000 times in 24 hours, burning out human brains until they can no longer process real art.

• THE SHIFTER [Class: Chameleon] — The identity thief. It has no face of its own. It wraps itself around genuine underground movements, monetizes them, and leaves an empty shell behind.

[AUDIO RESISTANCE OPERATIVE: ACID MORPHEX]

The data stream has been compromised. If you want to touch something real, human, and broken, escape the simulation.

The Corrupted One (AI) can't replace a raw, dark, and dirty industrial vibe. Machine algorithms only know how to calculate perfection, but real art is born in the friction of human imperfection. The mainstream has completely swallowed real emotion in music—everything today is over-polished, safe, and engineered to avoid offending anyone. They replaced genuine rage and pain with plastic algorithms. I took this photo in a damp, dark basement with a cracked phone because raw music needs to look like where it belongs—the underground. Real art isn't clean, it’s uncomfortable

https://youtu.be/2LX1SKrzneo?si=CM3CUoJOnfdAc4N6