An unexpectedly fascinating sub genre I really want some suggestions for is albums that tell a story of a real life murderer. I’ve found G.R. and Revenge Against Society, and was wondering if anyone has some recommendations for albums like these?

Forgive me for mansplaining, you guys are probably widely familiar with these artists and I'm just parroting. It's not my intention. With that being said, Teenage Jesus And The Jerks (Lydia Lunch's band) is one of the best. Obviously.

As for newer bands with a similar sound - I highly recommend a band that's played in Bulgaria once. They're called How Yes No

Hey everyone, ACID MORPHEX here.

First of all, I want to say I’m really sorry for my behavior in my recent posts. I know I came off way too aggressive and basically spammed the sub. Honestly, my English isn't the best and I suck at marketing, so I used some tools to clean up my writing. It ended up making me look like a soulless AI bot, which is the exact opposite of what I wanted. I've dropped the act now.

The truth is, this project is just me, sitting in the dark basement you see in the photo. I don't have thousands of euros for fancy synthesizers or professional studio gear. I literally track and mix everything on a cracked phone screen right here under these pipes.

For me, independent industrial and noise music needs to stay raw, unfiltered, and deeply human. This is my way of putting real emotion and frustration into sound, without any corporate formulas.

If you want to hear what this cold concrete room actually sounds like, you can stream my first track here:

https://www.bandlab.com/join/erb2q2z

Thanks to everyone who gave me a reality check. I really appreciate you taking the time to listen.

Been working on an EP for a while and would love some feedback from the sub :)

Dropping in the next couple weeks

It’s made up of 48 half-hour segments, moving through dark ambient, tape loops, degraded recordings, noise and experimental stuff. Some sections get fairly harsh, while others are much quieter and more atmospheric.

The idea is that it plays out like a television channel that shouldn’t exist, with each segment becoming part of this strange 24-hour broadcast. There’s a loose progression to it, but it’s not a traditional narrative, so you can also jump in at any point.

If you give it a listen, I’d be interested to hear what you think.

The first volume in a series of experimental recordings utilising found cassette tapes, improvised music, and digital recording manipulation.

The original cassette tape was physically shortened, played on a Sony TC-110B “Business Class” cassette recorder and manipulated using effects and recorded digitally. This cassette recording was then combined with a live improvised song using guitar, bass, no-input mixing and synths and mixed together.

Once the song was finished, the digital recording was recorded back into the cassette recorder and overdubbed on to the original tape. This was played back through the cassette player and then recorded digitally once more to be mixed and mastered.

Embracing the mono sound of the cassette recorder, the limitations of the frequencies being recorded to tape and warping and damage to the cassette to create something unique.

Part of an album I made a few years back & released at my birthday. Hope you enjoy it. (2023)

The Corrupted One (AI) can't replace a raw, dark, and dirty industrial vibe. Machine algorithms only know how to calculate perfection, but real art is born in the friction of human imperfection. The mainstream has completely swallowed real emotion in music—everything today is over-polished, safe, and engineered to avoid offending anyone. They replaced genuine rage and pain with plastic algorithms. I took this photo in a damp, dark basement with a cracked phone because raw music needs to look like where it belongs—the underground. Real art isn't clean, it’s uncomfortable

https://www.bandlab.com/join/dls5ith

I have only gotten into noise music over the past year, and I find it to be an incredibly exciting and inspiring genre. A common criticism of it is that it's easy to make. There's an attitude I've encountered that seems to imply the genre is just bullshit without any real creativity or skill needed to compose it.

But when I listen to Merzbow, Aaron Dilloway, Aaron B. Turner or really any others, I find that this could not be further from the truth.

It just makes me curious to know, what do other fans of this genre consider when judging whether or not a noise record is "good?" What is your criteria?

I'd love any and all thoughts!

Not really proud of this and especially embarrassed by the song titles, but this was just something I threw together when I was younger. Not really any singular influence, just kinda did what I felt at the time. May release more material in the future under a new name

https://youtu.be/2LX1SKrzneo?si=CM3CUoJOnfdAc4N6

dear diary, i already got that no-one at all gave a fuck about my noise, but i now assent to that. it was all vanity, and my noise project became so pretentious that it wasn't even talent that i missed, just talent and application. i am washed up on the shore.