I gaze into my fractured window

Lies

Without trust I can only see that my future holds a burning world.

Lies

Beware the words of a corrupt harbinger

Lies

___

I came up with this poem and it was designed to have a bunch of little extra bits of meaning where with how I put stuff in places and even how hard some of the lines are to make out. So, the big square in the middle says “I gaze into my fractured window”

The three circles going up the top connected with the line of fine print says “without trust I can only see that my future holds a burning world.” The "I” and “see” and “my future holds a burning world” are the big circles that are easy to read and stand out, and the fine print of “without trust” and “can only” and "that" connect them.

The circles going up the right side, kinda in the background, say “beware the words of a corrupt harbinger” and they are split up in a way that if you don’t notice other parts or the sentence, it still makes sense, like “beware” standing alone makes senses. And “a corrupt harbinger” also makes sense….

Lastly, hidden in each of the three section is the word “lies” done very faintly in the background… so the lies are hard to see. There is one by the word “window”, one by “see” and, and one by “corrupt”

Hi, just starting to learn Gallifreyan for fun using Sherman's script.

In the instructions it mentions that if a consonant has the same root, you can overlap them (reading thin to thick). Is there any rule about what order those consonants have to go in? Like could I put the thickest in the middle and the medium/thin letters either side in a 3 consonant build? Or is there a consensus that its basically always out to in?