I need the pattern of TASM2 by McLean

Just a Spider-Man edit

My first idea is to give him a spin-off movie called: "Peter #3", this is to give him a movie like Logan and seperate him from TASM universe because he's not consistent in No Way Home. Peter #3 will follow the No Way Home storyline and is going to be Rated R, there will be a post credit scene where he gets transported to the MCU and jump in the orange portal later kinda like Spider-Verse. The post credit scene is important because if they make a deal with Marvel to put it in they can also give him his suit with no copyright.

My second idea is an animated show that will be in the art style of the Sinister Six concept art and this will actually work because they legally can make it and can have it set after TASM2 (2014) and Venom 3 which also takes place in 2014. What would also work very well is if they add all the deleted scenes they weren't able to add in the movies in the first season but with extra scenes so it works as a show, kinda like those comics or something that probably aren't canon.

What if green goblin was the main villain in TASM 2 and was based off his Ultimate design?

For halloween im doing a rather relaxed spiderman look, no full suit or anything.

For this Im looking for a tshirt of spidermans suit top (any variant) that is available in the UK. All Ive been able to find online are graphic shirts that arent the actual suit, just images of spidey.

I also dont want to spend a fortune on this shirt, so any reasonably priced suggestions would be much appreciated!!

i’m doing a reimagined of the origin story and I am planning on doing a mutant evolution where his powers start to develop over the course of the story

And I don't mean, like, the typical Ditko era teenage angst that we associate with a High School/College-aged Peter, but just like generally unlikeable in a way that's hard to pin down.

Whilst there's definitely elements of the first Amazing Spider-Man film that I'm very down on, or even negative about –– Andrew's Peter was never the issue. I liked Peter being a bit of a jackass -- whether that was towards Captain Stacy or even Uncle Ben. I liked Peter being a little irresponsible with his abilities to a certain extent, even starting out seeking vengeance because of Ben's death as opposed to responsibility.

It worked for what that story was trying to do because it was dead centered on being a story about a boy becoming a man. It made Peter's growth across the film into a more responsible adult mean something –– even despite the rather iffy writing here and there.

What I don't like, however, is Peter in TASM2.

Jesus christ, he's just ... an asshole. Which would be fine! If it perhaps played into an arc about him learning humility, but it doesn't. Because the worst part of TASM2 isn’t the on-and-off romance, it isn’t Harry’s design, it isn’t the bizarre Oscorp conspiracy plot, and it isn’t all the stuff with Peter’s parents.

It’s that Peter doesn’t give a single shit about Electro.

Yes, there has been in times in the comics in which Peter's been an asshole who doesn't care, or even notice something because of his own issues –– but here, he's just so meanspirited to him in a way that's hard to watch. The Times Square fight initially begins with Peter genuinely trying to empathize with Max, but then halfway through it, Peter disappears to pull off the perfect Looney Tunes gag in which he throws on a firefighter's helmet while hosing Max into submission and proceeds to not give a single shit about what might happen to him afterwards. Prison? Secret OSCORP black site laboratory where he's probably tortured? Don't matter! He's got Gwen and his parents' plotline to worry about!

This isn't even getting into the opening chase scene with Rhino in which he spends more time making unfunny quips as opposed to saving lives, the whole "denying his blood for his dying best friend, the weird stalking of Gwen that's presented as cute and funny as opposed to weird and healthy etc etc.

It feels like such a regression from the genuinely mature young adult that Peter was growing into at the end of TASM1. I can't be the only one that feels this way.

EditHomemAranha

This plot concept was originally conceived by a Japanese fan and precisely translated into English using AI to ensure high contextual accuracy and eliminate any misinterpretation.
I wanted to create a story that perfectly heals the wounds of TASM2's reception, incorporates the events of "No Way Home," and gives Andrew Garfield's Peter Parker the permanent, beautiful closure he deserves.
Here is the full short script/concept:

[ACT I: The Dark Phase and Disappearance into the Multiverse]

The Shocking Opening:
Night in New York. Spider-Man aggressively pursues a fleeing villain. Trapped in the rage and profound grief of losing Gwen, he stops holding back his punches. In a fit of uncontrolled fury, he ends up killing the villain.
The Dichotomy of Public Opinion:
The scale of justice is split between "the death of a criminal" and "the lives that were saved." Spearheaded by J. Jonah Jameson, a massive wave of backlash erupts against Spider-Man across social media and news outlets. Torn between anger toward the citizens and an overwhelming sense of self-guilt, Peter falls completely into the abyss of becoming a dark vigilante.
The Twist of Fate:
At his absolute lowest point, just as his mind is about to shatter under the weight of his sins, Peter’s body is suddenly enveloped in a strange light. He is forcibly transported to another universe (the world of the MCU / the events of No Way Home).

[ACT II: Return, New Love, and the Ultimate Question]

Return to Reality:
After saving another universe's MJ and reclaiming a small spark of light, Peter returns to his own world. However, reality in NYC remains harsh; he is still treated coldly by the public as a "murderous dark hero."
Signs of Redemption:
Amidst this isolation, Peter meets a new woman. Through her, he gradually begins to reevaluate his purpose as a hero and his approach to life. Though deeply scarred, he falls in love again. Facing relentless public criticism, he ultimately makes the definitive choice to retire as Spider-Man and live a normal life as an ordinary human (Peter).
Regression to the Origin:
Immediately after making this life-changing decision, tragedy strikes. It is not a supervillain, but rather an ordinary, everyday street criminal (representing the raw malice of humanity) who shoots and critically wounds Peter's new lover.
"Who Are You?":
Consumed by a personal thirst for vengeance—just like the night Uncle Ben died—Peter puts on the mask once more and resorts to brutal violence. When his lover finally regains consciousness in the hospital and sees his rage-fueled state, she asks him a quiet yet heavy question: "Who are you?"This single question deeply shakes Peter, challenging his identity both as Spider-Man and as Peter Parker.

[ACT III: The "Because He Was There" Transformation and Quiet Retirement]

The Final Stand and Critical Injury:
A massive crisis engulfs the entire city. Spider-Man fights not for a flashy victory or public applause, but desperately risks his life to save a single, small child. In the process, he sustains catastrophic injuries, leaving the entire city convinced of his impending demise.
The Shift in Public Sentiment:
Faced with the terrifying reality of losing Spider-Man forever, the citizens of New York finally look back at his long, lonely battle. Realizing that "he lost everything, yet kept fighting for us," the criticism vanishes. Instead of relying on a hero, the citizens vow to change themselves and improve the city with their own hands.
The Epilogue:
Having secretly recovered from his wounds, Peter walks through the streets of New York as a civilian. Looking around at the peaceful city that no longer seems to need a vigilante, he approaches a local citizen. Mixing in a bit of his own lingering loneliness and self-deprecation, he speaks to them without revealing his true identity.Peter:"Lately, it feels like this city never even needed Spider-Man in the first place."Citizen: "Spider-Man is gone. But we aren't afraid of his absence. In fact, it's because he was there that we learned how to move forward on our own. When he was at his absolute worst, nobody held out a hand to save him. So, who saves him when he's hurting? New York isn't rejecting him. He just made us realize that even without him, we have the strength to stand on our own two feet."Hearing these words, the subtle loneliness on Peter's face transitions into profound relief. He realizes that the city has achieved true peace even without him wearing the suit. Confirmed that his duty is completely fulfilled, Peter finally embraces his decision to live his own life.

[THE FINAL SHOT: The Life of Peter Parker]

The Visual Choice:
Peter's current physical form is never shown on screen. Instead, the scene relies entirely on audio from off-camera: the gentle, warm voice of a father (Peter) calling out to his child, accompanied by the happy voice of a mother (his new wife) responding.
The Camera Movement:
The camera slowly glides into the father's study, past the doorway where the child just ran out. It pans across a desk, coming to rest next to Richard Parker's old leather briefcase, where a series of framed family photographs are neatly lined up:
A three-shot photo of Gwen, Richard, and Mary Parker.
A three-shot photo of Uncle Ben, Aunt May, and a young Peter.
A miracle three-shot photo of the three Multiverse Peters (Tobey, Andrew, and Tom) smiling together.
A warm, beautiful wedding photograph of Peter and his new wife.

The Last Detail:
Right beside these photographs lies the old Spider-Man mask, neatly and safely tucked away. No longer a symbol of a curse or a crushing burden, it rests quietly as a cherished memento of a past life from which he has finally been set free. The camera holds on the mask before slowly fading to black.

I would love to hear your thoughts on this conclusion for Andrew's Spider-Man!

does anyone have any good wallpapers for tasm 1 or tasm 2

Qualcuno vende SPIDERMAN - L'ALTRO?

So i bought a mask https://spideyjunky.com/products/spideyjunky%E2%84%A2-andrew-garfield-tasm-2-spidey-mask-1 this one. Express one never came by house, never called. We tried to call them, never got to talk to a human. So they sent it back to spideyjunky, i never got a refund this happend two months ago. I tried to contact them, no answer, contacted shopify, no answer, now im contacting my bank. I wouldnt recommend buying from them, poor customer service, straight up just ignoreing me. Im very disappointed in them. I really hope my bank helps me out with this, i want my money back.

If anyone has any tips please help me out.

I am absolutely sick of reading comments on TikTok, X, and YouTube calling Emma Stone's Gwen Stacy "the best Spider-Man girlfriend in cinema history." People are completely blinded by nostalgia and the actors' real-life chemistry, ignoring that she is a toxic, narcissistic character with an absolute regression (involution) throughout both movies.

If you actually look at the script, her character is a nightmare. Here is my breakdown of why she is insupportable:

She normalizes stalker behavior: Right at the start of the first movie, Peter stalks her and takes photos of her without consent, and she just blushes and accepts a kiss on their first date without even knowing him. It sends a terrible message about consent just because the guy is attractive.

Total hypocrisy and hypergamy: When Peter visits Oscorp without powers, she treats him with absolute condescension and superiority, like he’s beneath her. But the exact moment Peter gets powers and humiliates Flash on the basketball court? Suddenly she’s obsessed. She didn't fall for Peter Parker the human being; she fell for the "VIP package" of a handsome, superpowered rebel to feed her own ego.

She treats Peter like an inferior: She never views Peter as an equal. She constantly invalidates his decisions, forces her own will onto him, and refuses to listen to anyone else.

An alarming lack of empathy and grief: Her own father dies tragically, and his final wish is for Peter to keep her away from the danger. Gwen completely trivializes her father's death. Instead of grieving or respecting his memory, she uses Peter's immense guilt against him. She never stands in Peter's shoes or cares about his traumas; everything always has to revolve around her.

• A spoiled brat with an addiction to danger: Because she’s the police captain's pampered daughter, she lives in a warped reality. She throws herself into biological threats and supervillain fights without a single superpower. This isn't "bravery"—it's a massive ego and an addiction to adrenaline that serves as pure psychological torture for Peter, who is constantly stressed trying to keep her alive.

• Utterly selfish until the end: When Peter decides to leave his whole life behind to follow her to London, she doesn't think for a single second about Aunt May being left entirely alone. And in the final battle, instead of helping safely from a distance, her insatiable ego drives her to rush directly into the crossfire where she just gets in the way.

Gwen Stacy’s death wasn’t Peter’s fault; it was the inevitable consequence of her own arrogance and immaturity. Hollywood has this weird fetish with making the protagonist end up with the "perfect, physically flawless blonde" even if she is completely rotten and empty on the inside.

A character like Missy Kallenback, who actually noticed the real, broken Peter before he had powers, would have been a thousand times more mature, a better ally, and a much healthier partner. Gwen is just a Mary Sue who devolved into a toxic nightmare, and it's time internet stops worshipping her.

I’ve been looking for this for years (as many of us might have tried). If anyone has one that’s not a replica, I’d love to make a deal!

yeah she definitely fuckin knew