r/Nonsleep • u/Gonzo437a • 2h ago
Nonsleep Series Blackwater County - Season 1, Episode 7 - The Blackwater Pattern (Part 2 of 2)
V.
She found the photograph at a quarter to one, in the last place she looked.
It was in the 1974 folder, which was one of the thin ones, one of the small years. 1974. BELL REUNION / JULY 4. Inside there was nothing but a single photograph in a clear plastic sleeve, and a yellow legal sheet with one line on it in her fatherâs cursive, not shaky. The young hand. The 2001 hand.
Got this from S.B.âs housekeeper (retired), who got it from the photographerâs estate sale. Donât know what it means. Canât stop looking at it.
She slid the photograph out of the sleeve.
A color print, five-by-seven, with a white border and rounded corners. The colors had gone as seventies prints went, warm and soft, the greens going yellow and the blues going green. A picnic. A big lawn with oak trees, and long tables under the oaks covered with checked cloths, and red-white-and-blue bunting hung from a porch rail in the background. A crowd of people in summer clothes, mid-motion, holding paper plates.
In the foreground, a little to the left of center, two people stood side by side, looking at the camera. The only two in the whole picture who were.
A man. Fifty, maybe. Dark hair going gray at the sides. A white short-sleeved shirt open at the collar, sleeves rolled up past the elbow. A square jaw. He had one hand in his pocket and he was looking straight into the lens with an expression she knew, because sheâd seen it on a little girlâs bottom step through a den doorway twenty-five years ago. Something she hadnât had a word for yet.
Beside him, a woman. Early thirties. Dark hair pulled back hard. A blue cotton dress that didnât fit her quite right, a borrowed dress, sheâd have said, if sheâd seen it on somebody else. Her hand was on the manâs arm. Just resting there, light.
And through her left eyebrow, pale against her skin, splitting it in two, ran a thin white scar.
Lena didnât move.
She didnât move for so long that Daniel, at the far end of the table with the Evan folder, looked up, and then got up, and came and stood behind her, and looked down at what she was holding.
He didnât say anything either.
âThatâs my father,â Lena said finally. Her voice was steady. âHeâs older than he was. He was fifty-one when he left. Thatâs what heâd have looked like. ThatâsâŚâ She stopped. âThatâs my father.â
âYes.â
âAnd thatâs my mother.â
Daniel didnât answer.
âThatâs my mother,â Lena said. âWhen she was young. Before I was born. She looks like me. Everybody always said I looked like her.â She put the photograph down on the butcher paper very carefully. âItâs my mother.â
She took out her phone. It was ten to one in the morning. She called her mother.
Joanne answered on the fourth ring, thick with sleep and then not. âLena? What is it? Whatâs wrong?â
âMom. Did you ever go to Blackwater County with Dad? Before I was born?â
âWhat? No. Honey, itâs one in theâŚâ
âDid you ever go to a Fourth of July picnic? With him? Anywhere? In the seventies?â
âLena, I didnât know your father in the seventies. I was in high school in the seventies. In Gastonia.â Her motherâs voice sharpened. âI met him in 1993. At a cookout at the Lake Norman marina. You know that. You know that story. What is this?â
Lena looked at the photograph. At the womanâs hand on the manâs arm.
âMom. Did you ever have a scar? On your eyebrow?â
There was a silence on the line.
âNo,â Joanne said. âHoney, thatâs yours. You got that the summer after he left. You went over the handlebars of your bike on Tenth Street. Eleven stitches. You cried for him the whole time they were sewing it.â A pause. âLena, are you all right? Where are you?â
âIâm fine,â Lena said. âIâm working. Go back to sleep, Mom. Iâm sorry.â
She hung up before her mother could say anything else.
She sat looking at the photograph.
Daniel reached past her and picked it up, by the edges, as you hold a photograph thatâs evidence. He turned it over.
On the back, a rubber stamp, blue ink, a little smeared:
BELL FAMILY PORTRAITS ¡ BLACKWATER, N.C.
And under that, written in pencil in a neat old-fashioned hand:
July 4, 1974.
Daniel turned it face up again and set it down in front of her on the butcher paper, between the 1863 folder and the cards in the shoebox. He didnât say anything about the date. He didnât have to. Sheâd been born in 1995.
Lena touched the scar over her left eye. She didnât know sheâd done it until she felt it under her finger.
At two in the morning Daniel unfolded the hand-drawn map.
It had been at the bottom of the box, under the topographic quads, folded in eighths. A sheet of drafting vellum, the semi-transparent kind engineers used, gone the color of weak coffee. Her father had drawn on it in pencil and then gone over the lines in fine black ink, and the ink had bled a little into the vellum so every line had a soft gray shadow, like a road seen through fog.
It wasnât a map of anything Lena recognized. There was no county line. No highways. No town. Just contour lines, carefully copied, the tight brown whorls of mountains and the long loose ones of valleys, and through the middle of them, winding, a single dashed line.
âA road,â Daniel said.
âThereâs no road there.â
âThereâs no road on any map made since 1870.â He took the 1951 county map off the wall of the conference room, where it had hung behind glass since before he was sheriff, and laid it on the butcher paper, and slid the vellum over it.
The contour lines matched. Not perfectly. Her father had drawn by hand. But the ridges lined up and the hollows lined up, and the dashed line of the road lay across the printed county like a vein under skin.
It started high, at the head of a hollow above Hale Gap. It wound down along the side of the mountain, under Laurel Knob, across the upper Bell lease. It crossed Shoal Creek. It went on south and east, down through the Raines bottom, and ran off the edge of the vellum at the river.
Lena picked up a pencil.
She went down the line of folders on the butcher paper, one at a time. She read the location from each one. She found it on the county map under the vellum and made a small dot on the vellum in pencil.
Laurel Hollow. The head of the road.
The timber camp on the upper Bell lease. A dot, an inch down the line.
The Caldwell mill. That one was off the line, on the river at the edge of town, and she paused over it. Then she found the note in her fatherâs hand in the folder: *Workersâ houses (mill village) along Upper Shoal Cr. Rd. 4 of 11 lived within 200 yds of route.* She put the dot on the village.
The washed-out access road above Hale Gap. On the line.
The Voss landing. On the line.
Shoal Creek. The Pritchard bend. On the line.
Raines ground. On the line.
The end of a logging spur on Bell land below Laurel Knob, where a blue Toyota had sat with the keys in it. Daniel watched her make that dot. He didnât say anything.
When she was done there were nineteen dots on the vellum. Seventeen of them sat on the dashed line, or so close to it the pencil point touched.
She put the pencil down.
They stood and looked at it. A line of small gray dots strung along a road that wasnât there, like beads on a string, from the head of a hollow where thirteen men and boys had walked into a snowstorm in 1863 down to a family cemetery in the Raines bottom.
In the lower corner of the vellum, below the legend, her father had written something. She hadnât noticed it before. It was small and it was in the young hand, the 2001 hand, firm, and heâd underlined it twice.
They arenât disappearing.
Theyâre going somewhere.
Daniel read it over her shoulder.
âHe didnât write where,â he said.
âNo.â
âHe didnât know.â
âOr he didnât want to put it on paper.â Lena looked at the underline. Two lines, the second darker than the first, like heâd come back and pressed harder. âHe put his doubts in the margins. He put the things he was sure of in the middle of the page.â She touched the corner of the vellum. âThis is in the middle.â
They ate breakfast at the Blackwater Grill on Depot Street at seven, because neither of them had slept and there was nothing else to do with the morning until the morning started.
The Grill had eight booths and a counter and a waitress named Pauline who had poured Danielâs coffee before he sat down. It smelled of bacon grease and bleach. Three men in feed caps at the counter turned on their stools to look at Lena when she came in, and turned back, and one of them said something to the others too low to hear.
She ordered eggs and didnât eat them.
Her phone had buzzed at 6:52 with a message from the motel front desk, forwarded to her cell by a clerk who had clearly read it first. Mr. Silas Bell would be pleased if Agent Mercer would join him for coffee at the house at eleven. Sheâd shown it to Daniel across the table without a word.
He read it. He handed the phone back.
âYouâre going,â he said.
âIâm going.â
âI figured.â
He drank his coffee. Pauline came and topped it off without asking and went away again. He watched her go.
âLena,â he said. âWhen you go up there.â
âDonât tell me to be careful.â
âI wasnât going to.â He turned his cup on the saucer. âThereâs an old thing they say in this county. My granny said it. Eli says it. Half the old women in Laurel Fork Church would say it to you if you asked. You wonât find it written down anywhere.â He looked out the window at Depot Street, at a woman unlocking the door of the florist across the way. âDonât give your full name to something that ought not to have it.â
She looked at him.
âThatâs a superstition,â she said.
âI know what it is.â
âYouâre telling me not to tell Silas Bell my name.â
âHe knows your name. Everybody knows your name.â He kept his eyes on the florist. âIâm telling you not to give it to him.â
She thought about a woman on a creek bank in a yellow dress. Lena, honey. She thought about Eli Voss in his doorway. Howâs your daddy resting? She thought about how many people in this county had said her name to her in four weeks who she had never once told it to.
âThatâs the stupidest thing anyone has ever said to me,â Lena said.
âProbably.â
âIâm a sworn officer of the State of North Carolina.â
âYes maâam.â
She picked up her fork and ate a bite of cold eggs, to have something to do with her hands.
âAgent Mercer,â she said. âThatâs all he gets.â
Daniel nodded, and picked up the check.
VI.
By nine-fifteen, everyone in Blackwater County who mattered knew that Silas Bell had asked the state girl up to the house.
The house was on Bellwood Ridge, at the end of a private road that ran three miles up from the Bell Road bridge through land that had been in the family since 1871. The road was paved the whole way. Nothing else that long in the county was. The trees on either side had been thinned so you could see out over the valley in glimpses, and at the top the road came out onto a broad lawn with oak trees on it, and long views, and a white house with a deep porch running all the way across the front.
Lena stopped the Charger at the edge of the lawn and sat there.
The oaks, and the porch rail where somebody had hung bunting in 1974.
She had the photograph in an evidence sleeve in her jacket pocket. Sheâd slept with it on the nightstand at the motel. Sheâd lain awake looking at the ceiling and thinking about her father at fifty-one, with gray in his hair, standing on this lawn twenty-one years before she was born, with a woman who had her scar.
She got out of the car.
Silas Bell met her on the porch. He was early sixties, trim, in a pale blue oxford shirt with the cuffs turned back once and khakis with a sharp crease. Silver hair, cut close. Reading glasses on a cord. He had a long, intelligent, weathered face, a face that had been handsome and was now something better than handsome, and when he smiled at her the smile went all the way up.
âAgent Mercer,â he said. âThank you for coming up. I know itâs a long drive.â
âItâs a nice road.â
âMy grandfather built it. He was a vain man.â He held the screen door. âCome in. Please.â
They had coffee in a room at the back of the house with windows on three sides and a view of the whole valley, the Blackwater River winding through it silver and far away. The coffee came in a silver pot on a tray, carried in by a woman in her fifties who didnât say anything. There were cream and sugar in silver too, and a plate of thin lemon cookies nobody ate.
Silas Bell poured. He did it himself.
âI wonât take up your morning,â he said. âI know youâre busy. I wanted to say, first, how glad I am about the Pritchard girl. That was good work. I know June Pritchard a little. Our families go back a long way.â He handed her the cup. âAnd I wanted to say that if thereâs anything I can do for you, while youâre here, I hope youâll ask.â
âThatâs kind.â
âItâs selfish. I like to be useful.â He sat back in his chair with his own cup. âI understand youâre with the Raleigh office.â
âYes.â
âI have a friend there. In the directorâs office. We were at Chapel Hill together, a hundred years ago.â He smiled. âHeâs mentioned that theyâre building out a new unit. Analytical. Pattern work. Cold cases across jurisdictions. Heâs been looking for someone with field experience to help stand it up. Someone whoâs methodical.â He sipped his coffee. âSomeone who likes paper.â
Lena held her cup.
âThatâs two,â she said.
âIâm sorry?â
âJudge Hargrove offered to call the director for me too. Two weeks ago. At lunch.â She set the cup down on its saucer without a sound. âSomething with a desk and a window, he said.â
Silas Bell looked at her for a moment. Then he laughed. It was a good laugh, surprised and real.
âWell,â he said. âLyle and I donât agree on much. Iâm pleased we agree on you.â
âWhy does everyone in this county want me behind a desk in Raleigh, Mr. Bell?â
He put his cup down. He looked out the window at the valley. The river. A hawk turning slow circles over the far ridge.
âIâll be honest with you,â he said, âbecause I think youâd know if I wasnât.â He turned back to her. âBlackwater is an old place. A careful place. It has survived a great deal, Agent Mercer, a war and a flood and a fire and the end of everything that ever paid for it, and it has survived by being careful about what it disturbs. There are things in this county that have lain where they were put for a very long time. Some of them are better left there.â He said it gently. âI think your father came to believe that, in the end. I think if he were here, heâd tell you so.â
âYou knew my father.â
âI met him.â Silas picked up his cup again. âOnce or twice. In 2000. He came up here, as you have, and sat in that chair, and asked a great many questions.â He drank. âHe was a good man. I liked him very much.â
âWhat did you tell him?â
âAbout the same as Iâm telling you.â
âDid he listen?â
Silas Bell looked at her over the rim of the cup.
âNo,â he said. âHe didnât.â
They sat there. The hawk over the far ridge had found something and dropped out of sight.
Lena could feel the photograph in her jacket pocket. She could feel the edges of the sleeve through the lining against her ribs. She thought about taking it out and laying it on this table between the silver pot and the lemon cookies. She thought about what his face would do. She had built a career on knowing what faces did.
She didnât take it out.
She stood. âThank you for the coffee, Mr. Bell.â
âThank you for coming.â He stood too, and walked her to the front of the house, down a long hall hung with paintings of horses and old Bells in dark coats.
Near the front door, between a hunting scene and a stern man with side whiskers, there was a smaller portrait. A young woman in a green dress with a narrow waist and a white collar, painted in the slick bright style of the 1950s. Dark hair in soft waves. A pale, composed face, and eyes that looked straight out of the canvas at whoever was passing, like sheâd been expecting them.
A brass plate on the frame. MARGARET ELLEN BELL. 1931 â
That was all. The dash, and then nothing. No second date. On every other portrait in the hall the plate had two.
Lena slowed. Silas Bell, a step ahead of her, didnât. He walked past the portrait without turning his head, like a man passing a door heâd decided not to open, and Lena understood that heâd been walking past it like that his whole life.
On the porch he stopped. The lawn spread out in front of them, green and wide under the oaks.
He was looking at her. Not at the lawn. At her face.
He looked a beat too long. Then another. It was not the look men gave her. She knew that look and this wasnât it. This was the look Eli Voss had given her on his porch, and Mrs. Hensley from the bottom of her steps. Except it wasnât quite that either. They had all been looking at her and seeing her father.
Silas Bell was looking at her and seeing her.
âMr. Bell,â Lena said. âHave we met?â
He smiled. It was a kind smile, and a sad one, and it held a long time.
âIâd remember,â he said.
She didnât start the car right away.
She sat in the Charger at the edge of the lawn with the engine off and took the photograph out of her pocket in its sleeve and held it up against the windshield.
The oaks were the same oaks. Bigger now, by fifty years, but the same. The third one from the porch had a low limb that went out sideways and then turned up, like an elbow, and in the photograph that limb was there over the picnic tables, thinner, and here it was in front of her, over an empty lawn. The porch rail. The same white posts. She found the spot where she and her father had been standing, eight or ten steps off the porch steps on the left, near where a flagstone path ran out to the drive. She was parked forty yards from it.
She looked at the photograph again. At the left edge, where the frame cut off a dessert table with a striped cloth, there was something she hadnât seen at one in the morning in the conference room. Half a small arm, cut off by the white border at the shoulder. A boyâs arm, thin and tan, in a striped T-shirt sleeve. And in the hand at the end of it, held up and blurred with motion, a sparkler, throwing a smear of white light across the corner of the picture like a comet.
She looked up at the porch.
Silas Bell was still standing there, at the top of the steps, with one hand on the white post. Watching her car.
She put the photograph back in her pocket and started the engine, and didnât look at the porch again all the way down the drive.
VII.
When the gray Charger had gone down the drive and out of sight among the trees, Silas Bell went back through the house to his study.
It was a dark room, paneled, at the north corner, with one window that looked out on the side lawn and the oaks. His grandfatherâs desk. His grandfatherâs chair. Books nobody had read in sixty years, and the smell of them.
He closed the door. He sat down at the desk.
He took a small brass key from his watch pocket, where he had carried it every day since he was nineteen, and unlocked the center drawer.
The drawer was nearly empty. A fountain pen that had been his fatherâs. And a photograph, lying face up, alone, in the middle of the drawer, where he could see it every time he opened it.
A color print, five-by-seven. White border. Rounded corners. The colors gone warm.
The lawn. The oaks. The bunting on the porch rail. A crowd of people holding paper plates. And in the foreground, a little to the left of center, a man in a white shirt with gray at his temples, and a woman beside him in a borrowed blue dress, with her hand on his arm.
Around the womanâs face, someone had drawn a circle in ink. It had been blue ink once. It had gone brown, the color of tea, the color ink goes after fifty years in a dark drawer.
Silas Bell looked at it a long time.
He had been eleven years old. He had been standing at the very edge of the frame, to the left, by the dessert table, with a sparkler in his hand that he wasnât supposed to have. And the woman in the blue dress had turned and looked at him, just after the flash went off, and smiled, and asked him his name.
He had told her. He hadnât known yet that you shouldnât.
He touched the brown circle with one finger. Then he closed the drawer, and locked it, and put the key back in his watch pocket, and sat in his grandfatherâs chair with his hands folded on the desk, looking at the window, where the oak leaves had just begun to turn.