r/FictionWriting • • 20m ago

Una idea de un futuro con mucha IA y así (es como una critica ficción a la sociedad)

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Esto es principalmente una idea para criticar el uso excesivo de IA y la perdida de identidad.

Como poco a poco la humanidad esta perdiendo no solo las capacidades de ser creativos si no que también imaginar o hacer algo por si mismo, en un punto de este pensamiento se me ha ocurrido una idea de historia. (Ya saben no la IA)

Una historia enfocada en un futuro dividido, las partes de pobreza viven en lugares estilo ciberpunk (mucha contaminación, visual y auditiva) no y los ricos viven a algo más parecido al solar punk, la idea principal es que los humanos ya no cuentan con esta capacidad creativa y las pocas personas que lo llegan a desarrollarlo llegan a ser vendidos. Los ricos prefieren gozar y presumir de sus riquezas mostrando que ellos no necesitan IA porque tienen personas con esta habilidad, estos ya sean escultores, pintores, cantantes, escritores, actores, cocineros, dibujantes, inclusive reparas objetos te "tecnología antigua", etc... para ellos no les importa lo que hagan el punto es poder presumir de su dinero.

Por lo cual la base es que si tienes dinero gozas de habilidades humanas y si no pues usas IA.

La historia se enfocaría en una persona que desde temprana edad mostro habilidades creativas, como vivía en las partes o la zona baja en un lugar parecido a un distrito rojo ( aclarar que esta historia no contendría 18+, puede que haya referencia porque el punto es perturbar al lector, no me gastaría la idea de que se enfocara en ese tema explícitamente) es claramente vandid@ (aun no se el genero).

El punto en si mostrar la división económica más marcada, el como la sociedad se permitió caer en incumplir de los derechos humanos con tal de ganar dinero, el que los ricos simplemente disfruten de usar esta personas.

Y pues en muy a grandes rasgos esa es mi idea, no si si ya hallan escuchado algo parecido, y que cosas serian buenas añadir. (Me ayudaría mucho que comentaras más ideas o algo acerca de la idea)

La verdad es que también tengo otras ideas, y me he dado cuenta que son un tipo de ciencia ficción y critica a la sociedad. (mi otra ideas es muy x-men y así por si gustan leer la idea también)


r/FictionWriting • • 1h ago

Advice Is this turning out well? Spoiler

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• Upvotes

r/FictionWriting • • 1h ago

Quick story idea is it intersting?

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r/FictionWriting • • 2h ago

Novel My novel opening draft

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1 Upvotes

r/FictionWriting • • 5h ago

Publishing Railway carriage number 17

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1 Upvotes

#horror #wattpad2026 #Thriller #Detective

Hello) my name is Kirill, I’m from Ukraine and I’m 17 years old, I’m also composer and books writer, I wanna to share my book work with you :)

Plot: It is the year 1929. Stanley Fontaine, an American writer of mystical horror novels, is forced to leave his city after losing his inspiration. After many years, he decides to travel to Louisiana on the Eastern Express, where the staff is of the highest calibre and nothing seems to foreshadow any misfortune. Yet soon he begins to realise that what we see is not always reality, and that most people have grown accustomed to living in sweet flattery. This very carriage conceals a multitude of secrets.
Slogan:
«Is it possible to accept that which we cannot see, yet other kinds of people can?»

Beginning: ______________~*{ I }*~_________________

Created by Kirill Spivachevski
Inspired by the world masterpieces <<The Shining>> and <<1408>>

Carriage 17

It was the year 1929. America still reeked of the Depression that followed the First World War. Hungry days wandered the streets of the country, for the food from the counters was being shipped to the military in need.
At the very end of that cursed year, a bone-chilling winter descended. During that time, the writer of mystical novels, Stanley Fontaine, had just released his latest book — Love and Death. It explored a philosophical thread: that love is like a rose — beautiful yet thorny, or sweet yet sticky like jelly. A month earlier he had submitted the manuscript to the publishing house, and today he was forced to go there to hear their verdict.
He climbed into his 1929 Ford, slammed the old door shut with a loud bang, turned the key, and the engine roared to life, leaving its scent behind as he drove across the pure white snow toward the publishing house.
Upon arrival, he pushed open the heavy old titanium door with a creak and stepped into a dimly lit room where only a meagre fraction of light managed to penetrate. Before him stood a table of rotten wood, and behind it, on bourgeois chairs from the 19th century, sat the workers of the self-publishing house.
"Good day, Mr. Fontaine."
Stanley approached them and said:
"I am from the Boston Library. I came regarding my book."
"Ah... what exactly would you like to know, sir?"
"I want to know whether my literature is worthy of worldwide publication."
"We have read your book and are ready to share our thoughts on it."
"I'm listening."
One of the workers rose opposite the table and fixed Stanley with a confident, reading gaze.
"Your book is full of tangled twists and turns, and we do not wish to upset you, but it is unlikely that anyone will find it interesting."
"Please understand... I put a part of myself into it."
"I can understand that. We all put a part of ourselves into whatever we do. A mixture of love, mysticism... and death... that deserves respect. But there must be at least some breathing space."
Stanley silently nodded, listening to the criticism, and lowered his eyes as if finding a grain of truth in those words.
"You know, when I heard about a murder in one of the hotels in Kansas quite some time ago, it inspired me to write this novel. It pushed me to write about the causes of death."
"I admit, a good move — transferring events from real actions into the fiction of your thoughts. Quite an interesting approach."
A faint sound of wind passed through the room.
"Yes, I have always done it that way, and I mostly love reading stories based on real events!"
"And one more thing... try to change the structure of the second half of the book, because something incomprehensible and chaotic happens there. We had great difficulty understanding what it was about. We will give you a generous amount of time to revise it."
Stan said nothing against the critic's arguments. He took his book and drove home.
"Have a good day, sir."
Stan slammed the door loudly and got into his car.
On the way home he noticed a post plastered with newspapers about incidents in the South, in the state of Louisiana. Parking nearby, he got out and walked confidently toward the post, peering at the announcements.
"Bloody fire in Louisiana," Stanley read the headline.
His eyes darted across the text; he ran his finger along the lines and read:
"Four people burned alive, the rest received dangerous burns on their bodies."
Stan tore the announcements from the post, finding inspiration in these stories, and drove home.
Late that evening he spread the leaflets out on his desk, sank into his armchair, lit a cigarette, and began replaying the moments in his head like a film.
An hour later he was drinking heavily, trying to sink into the atmosphere and let it pass through him.
Stanley's pupils moved; he stared at one fixed point as if a man with an axe and a furious scream from the newspaper would leap out from it. He imagined those moments while exhaling cigarette smoke.
Goosebumps rose on his skin and he began to twitch nervously. In his drunken state he took one last gulp of whiskey and felt a movement in his pupils. The moments that seemed unsuitable for the book he simply flipped past in his mind.
Drunk in the armchair, he sat and imagined himself sitting in the middle of a train compartment, watching all these moments unfold.
In a surge of inspiration and very strong intoxication, he grabbed a pen and began writing everything he was imagining — everything he saw. Sweat ran down his forehead. At the last moment he saw the number of a carriage, but could not fix it in his mind, because in his drunken thoughts the numbers kept switching places with Chinese hieroglyphs in turn:
真的, 是否如此 你看到了什麼?
"What the fucking hell?" he muttered, not understanding the Chinese characters on the wall.
And the hieroglyphs began to change faster:
你不屬於這裡
這是地獄嗎?還是煉獄?
His head spun with thoughts, and from the strong dose of alcohol he collapsed onto the floor, hitting it hard, and lost consciousness.
____________~*{ I }*~___________________

_____________~*{ II }*~__________________

The next day he woke up on his own floor, feeling unwell, horrified by what had happened the previous night. The room was in chaos and the smell of alcohol hung in the air.
"Oh gods..." he whispered barely audibly.
Stan began cleaning up, the glass bottles clinking as he grimaced from the strong smell of alcohol. The loud ringing of bottles echoed through the entire house, while sunlight peered in from the street, illuminating the day.
After that, Stanley had a hearty breakfast and tried to get back to work, but after yesterday's hangover nothing came to his mind except a headache.
"Eh..." he sighed, sprawling in the armchair.
Looking at the newspapers from yesterday, he understood only one thing: in order to gain inspiration, one must meet it face to face and let it pass through oneself.
"Louisiana... I need to go there."
An hour later Stan got into his car and headed to the train station.
Upon arrival he approached the ticket office, where the queue stretched almost a kilometre long — people eager to leave their city and travel beyond its limits. The station was beautifully decorated and full of sculptures.
The queue finally reached Stan.
"Next," the cashier said in a barely pleasant voice.
"Ma'am! Would you be so kind as to tell me how much a single ticket to Louisiana costs?"
"Fifty-five dollars!"
Stan happily took out his wallet, rustling his money, and produced the required sum.
"Here you are, no change needed."
The cashier took the money and handed him the ticket.
Stepping away from the crowd, he examined the ticket. It read:
Compartment number 515, upper berth... Carriage number 17...
At the bottom of the ticket, in small but elegant font, was written:
«You will never forget this journey»
A blind old man approached him for help.
"Excuse me, is someone standing in front of me?"
Stan turned and said to him:
"Do you need something?"
"Yes, I would like to ask you what time the train departs and explain it to me in more detail — I am not sighted."
Stan took the man's ticket in his hands.
"Is your name Alfred Walter?"
"Yes!"
"Very pleased to meet you. I am Stanley Fontaine."
"Wait a moment... I know that name. You're that writer! I've read your novels — they inspire me to believe in people! I often bought your books for my daughter; she loves mysticism."
"Oh, it's a pleasure to hear that."
Stan looked at the ticket again.
"Oh... You're going to Louisiana? I'm your fellow passenger."
"I'm very glad to hear that I'm travelling with you. Fate has heard us."
"Forgive the awkward question, Mr. Walter... who are you going to see?"
"To my daughter...! And what brings you there?"
Stan bit his lip slightly and answered:
"I'm going to clear my head, to find inspiration. I've been sitting in the city for far too long, so I want to break out of this cage."
"I understand you, sir! What time is our departure?"
"The ticket says today at 7:17 in the evening."
"Thank you, sir. I hope we never forget this journey, for our life is still an unread book."
"You're right. I hope so too! Good luck to you, until we meet again."
They both went their separate ways home.
In the evening, while packing his bag, Stan put in everything most necessary and prepared to leave. He got into his car and drove once more through the muffled city covered in snow toward the station. The windshield wipers swept the snow away, scattering it, while the headlights illuminated the surroundings, shining through the falling snow.
_____________~*{ II }*~__________________


r/FictionWriting • • 6h ago

The Wanderer and the Fire That Kept No Names Part III — Before the Fire Goes Out

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1 Upvotes

r/FictionWriting • • 6h ago

Advice I have so many stories in my head, but I have no idea how to turn them into actual fiction. Where do I start?

1 Upvotes

Hi everyone!

I'm someone who loves telling stories. I often make up stories in my head and randomly narrate them to my friends. I have so many ideas, characters, plot twists, and scenes in my imagination, and my friends enjoy listening to them.

Recently, I decided that I want to become a fiction writer and eventually write novels or short stories.

But I have absolutely no knowledge of fiction writing. I don't know how to turn the stories in my head into something that works on paper.

I've tried sitting down with a notebook and writing an entire story from beginning to end, but I end up getting bored with my own writing. The story feels interesting in my head, but when I write it down, something feels missing. I struggle to understand how to describe scenes, write dialogues, structure events, and keep the reader interested.

I want to learn fiction writing from absolute zero, as if I'm a complete beginner who has never written a story before.

I'd really appreciate advice from people who have been through this journey:

  • How did you learn to turn the stories in your head into actual written fiction?
  • Are there any books, courses, YouTube channels, or exercises that genuinely teach fiction writing from scratch?
  • If you were starting from zero, how would you learn to write fiction?

If you were once a complete beginner and are now able to write good fiction, I'd love to hear what actually helped you improve.

Thank you!


r/FictionWriting • • 7h ago

The Wanderer and the Fire That Kept No Names Part II — The Hands They Untied

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1 Upvotes

r/FictionWriting • • 8h ago

4B

1 Upvotes

In the morning highsummer, scenic as Solway Firth traditionalism, two children played amongst gaping dandelions. What they played, how, was as discernable as five-year-old dream conjurement, although it resembled a package, a contained depiction, not quite a frame's placeholder, no, something moving, but a downfall from Meliesian delight. Genericity captured the screen, a delivery of gleeful dilly-dallying and a walked-off tumble, absent anxiety, skidishness, with the audible "here, you go over here, and I'll-", a joyous scream and rapid stomps, lacking the real-time mood shifts of passing, trivial disturbance between the brothers. Lacking any foreboding. This was a recording of filler, Rockwellian stock, while something else was entitled to greater attention, a whole different level of contributive toil. A would've-been floret sailed between the two boys along this apogee's gusts, directly in their view and to - the aborted particle having been curettaged by 1/2 prior to several observations, several short-lived chats, a near goose-egg and now, funnily enough, still existed - their amuazement. This met no counter-argument by the sheer cinematic horizon, as Anita Randazzo harks "Sing Travolta!", so this sings Maria and the von Trapps, and the whites, the whites moving pixels in a process of apotheosis under its euro-illustration. Something nordically pagan about the arrangement, the potential for an Asterian Attestupa. However, the frame was not entirely lacking in outliers, a few ham-and-egger - just think of those H + E's with their shit stained fingers wrapped around worksite coffee containers - qualities teaching the photographer, the director humility. The two "he sure would've loved you"'s, for example, evidently having left their westes in the Ferriere's laundry, sported Energy Zone. More subtle: Several yards out, where the dandelions' ectone transferred stomped siblings to flatter green, scribbler sticks from Woodrow Wilson littered here and there, the tools of some perverse form of the Mandingo fight upon the children.

Whereas 1 scribbler stick = 1 lap.

Do you know it two of the real frequent PTA'ers-even-prior-to-certification-instructors having thought up the revision in the lounge: "Ok. I'll buy the scribblers, bring them in tomorrow, and we'll eat the whole box over the course of the day and then use those for the sticks! No of course we'll wash them off, wash them off real good."


r/FictionWriting • • 8h ago

Short Story Installation

1 Upvotes

Ah. Finally awake. Good. How wonderful. I was beginning to think the table would have to do the talking for both of us.

 No, don't get up. There's nowhere to get up to, my dear boy, and even if there were, you'd only end up back in that chair. Sit. Sit! I wouldn’t be a graceful host, to have my guest stand while I remained seated. Oh, don't sulk. Don't you want to see the Ordeal that befalls you?

 No, I won't tell you where you are. Your not-knowing has its charms, I confess, but the answer would mean nothing to you yet. And I dislike wasting good information on a mind that isn't ready to receive it. As for the question your eyes are already asking: no, you may not leave. Not yet. Possibly not ever, though I'd hate for you to hear that as unkind. Think of it instead as ceremony. Every appointed guest is owed a proper welcome, and you, my dear boy, are owed the most proper welcome I know how to give.

 So sit. No? You refuse my hospitality. My, what a rebellious soul. Such a pity that it makes no difference. The Ordeal must be read regardless; whether you sit or stand is merely your idle choice.

 Oh, don’t make that face. Refusal sounds ugly only when one neglects ceremony, and I have taken considerable pains to provide you with one. I might have woken you on a block, under interrogation glass. Instead, you have green baize, lamplight, and a chair without a single strap. Do look around; I chose it all myself. Even the walls have had the magnanimity to conceal their seams.

 Oh? I wouldn’t go through with that punch if I were you. That collar might mistake enthusiasm for violence, and I promise you it does not forgive the misunderstanding. It would be a pity for you to be eliminated. Such a great waste of potential.

 …

…

 Calmer now? Well, have a seat, my esteemed guest.

 There, you see how readily the chair accepts you. Do mind your posture; the arms are particular about it. And the silver threads in the upholstery stay pleasantly cool for as long as you stay seated. I wouldn't test the alternative. Place your hands where I can see them. Purely for the deck's sake; it dislikes interruptions.

Listen carefully. You must understand that each arrival draws one of the Major Arcana, and the card supplies a name, a talent, and a flaw cut precisely to fit it. Draw the Hermit, say, and you will notice everything in a room and be unable to bear anyone noticing you. The deck will tell you it is only revealing who you always were. It's lying. It installs.

Yes, install. Perhaps you imagine there was a self underneath, private and whole, with a name you chose for yourself. Perhaps there was. The cards are rarely cruel. They simply know how little needs changing. Swap a man's name and one of his fears, and everyone, himself included, will agree he is someone else.  No matter. I have prattled long enough.

Let us not keep the Ordeal waiting.

Here is our first generosity: the Ten of Swords, reversed. Notice how the painted body refuses to lie properly beneath its ten blades, how the blood appears to climb rather than fall. Hmm? What's with the theatrics? Do forgive me. I'd assumed whimsy died along with everything else you can't recall. Swords are the suit of truth and lies. Don't make the childish mistake of assuming the trial will reward honesty. A Swords round may require a lie told flawlessly, a confession recognized as counterfeit, a fact withheld until its owner destroys himself attempting to protect it. The obvious problem is generally bait. Each trial is cut for one weakness in one player. The blade you see is seldom the one meant for you.

The number tells you how hungry the round is: an Ace applies pressure; a Ten consumes. Lose this one and the deck takes a truth: a memory, a secret, a face, the reason you fear a certain sound, perhaps even your own name. It needn't tell you what it took. One day you may simply notice a gap where a face used to be.

And reversed? Well. Reversed means the round begins tilted toward its worst self. Any card may reverse, a trial or an identity, a wound that heals or one that doesn't. The spread doesn't care which you'd prefer.

Now then, let us offer your concern some company. The Two of Cups lands upright, which is almost tender: two figures approaching beneath a shared emblem, each extending what the other must choose to accept. Cups are the suit of bonds. Of trust, and of the fool's belief, forgive the word, that trust survives contact with other people. And here, crossing it, unkindly, the Five of Cups, reversed. So, the cost. Lose a Cups round beneath that card and the deck takes your capacity for friendship. You'll still recognize kindness when someone offers it; you just won't know what to do with it.

Why warn you now, when you have no ally to lose and no face in memory worth mourning? Because once you've been warned, everything that follows was your choice. You will meet the others soon.

My. How revealing. Shoulders squared, fingers testing the chair arms. Counting your weapons already? You're wondering what you'll bring against them. Strength, perhaps. Whether it will matter.

No, strength will not save you. Nor intelligence, sincerity, courage, kindness, or any other virtue you care to name. Every round has a danger everyone can see, and a trap meant for one of you. Say one of you can break down any door: the round will put him before a door that only opens if no one touches it. The best liar in the room will be handed a truth no one believes; the beloved may discover that every vote cast to save him condemns the voter. To outplay the Ordeal, you must understand whom it was built to punish. Occasionally that person will be you.

I shall place the next card more slowly, since your attention has at last become sincere. The Seven of Wands: one figure holding the height while six staves rise beneath him, a picture commonly sold as valor, perseverance, noble defense. Such readings are soothing. They also overlook that the figure stands alone because no one remains beside him.

There is a prettier explanation for what you are entering. One might call it a journey toward completion. One might even promise that the final survivor has fulfilled some design too elevated to disclose at the beginning. The house adores such language; listen, and you can hear the pipes breathe a chord into the walls, the glass answers in silver, and somewhere beyond the lamplight the whole structure gathers itself into a rapturous little hymn. I indulge it.

The actual explanation is shorter.

Outlast everyone.

Every other Major Arcana must fall, fail, vanish, or be rendered unable to continue. You need not kill them personally, though the distinction tends to lose its polish after the first few rounds. Fate likes to dress pain up in meaning; it goes down easier that way. Survival asks only that, when everyone else is gone, you remain.

Ah. There it is. That rebellion. Good. Truly, I mean that. Fitting, even, given what's coming, though you'll have to trust me that I mean fitting in the kindest sense the word permits. A rage with no number on it yet is exactly the sort of rage the last card tends to enjoy.

Very well. I will not dignify the last turn with suspense; suspense is wasted upon a card that declines to behave as an outcome. There. Bare heels at the edge, a small bundle over one shoulder, a white animal leaping in warning or celebration, and above it all a blank sun with nothing behind it.

Zero appears where an ordinal should stand. Outside the procession from One to Twenty-One, the card installs no virtue and no weakness. The deck found nothing in you to confirm, and no former name it was willing to give back. For once, it cannot pretend discovery.

You are The Fool.

You may consider that a gift. With no fixed trait, there is nothing native for a reversal to corrupt and nothing certain for an Ordeal to seize; the Swords may reach for your truth and discover it has not yet been written. Or you may consider it a threat. An empty place accepts any inscription, and what cannot be read may still be edited until it becomes legible.

Ah, and there's the door. See how the lamplight has drawn back from it, and how the walls have let their seams show? The corridor is listening. Somewhere down it, the other named cards are beginning to move. Only one courtesy remains: the first sound by which the house will know you, and perhaps the last by which you will know yourself.

O Great Inevitable Fate, claim your lost Fool.

Try not to disappoint it.


r/FictionWriting • • 9h ago

Gamemode: survival

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1 Upvotes

r/FictionWriting • • 9h ago

The ashen sanctuary

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1 Upvotes

To avoid pain, they say you must sever thought from emotion. Never let them mix. But to live that way means acting purely on logic, and it is not in human nature to exist like a machine. You must feel the joy of pain. It is the most precious, sharpest thing in the entire universe. Without it, we are nothing but bony flesh. As for me, I find a strange joy in my own suffering, though I cannot bear to see others endure it.
Or perhaps that is a lie. Perhaps I do want to see some of them suffer—worse than me—for violently arousing me from the fantasy I was building. In that dream, I was cultivating a garden. I was planting flowers, siding away grief and envy, and resting deeply in her embrace.
But in spite of everything I built, a beast emerged on a whim from the shadows of my own mind. For a fleeting moment, I lost my heart to it, watching as it gently approached my garden. Then, it struck. It crushed the petals of my flowers. It violently mixed my heart and mind into an inseparable blur. It assailed my beloved, forsaking me entirely within an ashen sanctuary.
Now, while seeking the singular bloom among the wreckage, a bitter reality has dawned on me: nothing but ashes remains.


r/FictionWriting • • 15h ago

Novel [OC]Bar Aoi Stories ― When They Don't Need You Anymore

2 Upvotes

Hey, you.

Have you ever heard that someone failed and felt just a little bit glad?

Not serves you right.

Not because you hated them.

The opposite, actually. You wanted them to succeed. If they were in trouble, you’d want to help.

And yet—

the moment you heard they’d failed, some small part of you was pleased.

What do you make of that?

A little bell chimed as I opened the heavy door to Aoi.

Taka and Tom were sitting side by side at the counter. Mama set down a glass of I.W. Harper without asking.

“You know,” I said.

“Yeah?”

“I didn’t like myself very much today.”

Taka looked over.

“That’s unusual.”

“What is?”

“You noticed.”

“I’m leaving.”

Tom gave a low laugh.

“So what did you do?”

“Nothing.”

“Then what did you think?”

Straight for the unpleasant part.

Former cop.

I took a sip of Harper.

“There’s this guy I used to work with. Kind of like a junior colleague.”

For a while, young engineers kept getting sent my way.

I wasn’t an instructor. Wasn’t HR. If they asked something, I answered. If trouble came up, we worked through it together. If they screwed up, we looked at what had gone wrong.

That was all.

Somewhere along the way, people started calling it the Tanaka School.

I hated that name.

It wasn’t a school, and I wasn’t a teacher.

We were people working together.

“So one of your graduates?”

“It wasn’t a school.”

“Right, right.”

“Anyway, he got his first project to run on his own.”

It was a small one.

Still, he had to make the plan himself, talk to the client, keep the team moving. If something went wrong, he had to be the first one to make the call.

And he screwed up.

He missed something. Work stopped, and the client needed an explanation.

Not a disaster.

But for him, it was plenty bad enough.

“When I heard about it...”

I looked at the ice in my glass.

“I was a little glad.”

Taka frowned.

“That’s pretty awful.”

“I know.”

“Didn’t you like the guy?”

“Other way around. I was fond of him.”

“Then why?”

“That’s what bothered me. I didn’t know.”

I’d never wanted him to fail.

When I heard he’d been trusted with a project of his own, I’d been genuinely happy for him.

And yet, the moment I heard he’d screwed up, something inside me smiled.

Yeah. Thought so.

That was what it felt like.

“So what did you do?” Tom asked.

“I went over. It was nearby.”

When I got there, he was exactly as I’d expected—staring at a screen while talking to someone on the phone.

I glanced at the documents beside him. Took me about a minute to get the shape of the problem.

“Ah, this one’s—”

I was about to step in when someone tapped me on the shoulder.

“Tanaka. Got a minute?”

Makoto Echizenya. Forty-two.

He was a section manager now. I’d heard he’d taken the exam for department manager.

We’d worked together several times years ago. We’d been through some brutal projects together.

Which apparently made him another graduate of the so-called Tanaka School.

He led me a short distance away, glanced back at the guy struggling with the problem, and said,

“He’s right in the middle of it. Don’t stick your hand in.”

“What? He’s in trouble.”

“Yeah.”

“So we help him.”

“Why?”

He’d always had a talent for saying things that pissed me off.

“He’s one of us. He’s struggling.”

Echizenya almost smiled.

“You’re still saying that?”

“Saying what?”

“He’s thinking it through himself. Leave him alone.”

“He’ll screw up.”

“He already did.”

“It could get worse.”

“If it does, I’ll stop him. Me. Not you.”

Then Echizenya put his hands back in his pockets and returned to the floor.

“See?”

I finished the story and looked at Tom.

“If someone you work with is in trouble, you help. That’s normal.”

Tom didn’t answer.

He raised his glass, took a sip, and set it back on the counter.

“Did he ask you to help?”

“...No.”

“Did he ask Echizenya?”

“How would I know?”

“Did he look like he wanted someone to rescue him?”

“He looked like he was in trouble.”

“That’s not what I asked.”

Tom looked straight at me.

“So who was having trouble?”

I said nothing.

“Him? Or you, because you couldn’t stand there and watch someone struggle?”

My throat felt dry.

I said nothing and took another drink.

“Helping people can feel pretty good,” Tom said.

He turned his glass slightly, and the ice shifted inside.

“You know you’re useful.”

I had nothing to say to that.

The moment I heard the guy had failed, something inside me had smiled.

Now I knew what that ugly little feeling had been.

Yeah. Thought so. He still needs me.

That was all I’d wanted to believe.

“So?” Taka said.

“So what?”

“What happened to him?”

“...He figured it out himself.”

Since I hadn’t stepped in, he’d taken the long way around.

He apologized to the client, found the cause himself, and cleaned up the mess himself.

“Then that’s good, right?”

“Yeah.”

“Weren’t you happy?”

“...I was.”

“Which made you happier?”

“What do you mean?”

“Hearing that he failed, or hearing that he fixed it himself?”

I tilted my glass.

Only ice remained.

“That Echizenya guy,” Taka said. “Did he work for you?”

“No. We just worked together years ago.”

“So now he’s training people himself.”

“Looks like it.”

“Huh. Sounds like he graduated just fine.”

“I never enrolled him in anything.”

Mama smiled.

The round piece of ice in my glass had grown a little smaller.

I’d never thought I was raising those guys.

We worked together. I told them what I knew. When neither of us knew, we thought it through together.

Eventually, there were more things they could do on their own.

Then they went somewhere else.

That was it.

I wasn’t a teacher.

They weren’t students.

They were people I worked beside.

“Kenichi.”

“What?”

“Are you lonely?”

Taka asked it without smiling.

“What are you talking about?”

“They don’t need you anymore.”

“Come on.”

“Am I wrong?”

“Yeah.”

Probably.

“Then why were you glad when he failed?”

I glared at him.

“You’re talking a lot tonight.”

“Did I hit something?”

“I’m starting to dislike you.”

“There you go looking for reasons again.”

Tom burst out laughing. Mama’s shoulders shook behind the counter.

I swallowed the last drops of Harper and stood.

“Check, please.”

The night air was a little cold when I opened the door.

Teaching someone something is strange.

When they learn to do something they couldn’t do before, you’re happy.

When they can do it on their own, you’re even happier.

At least, that’s how it’s supposed to work.

Then one day they really can do it without you, and it feels as if a small hole has opened under your feet.

I wasn’t glad he’d failed because I wanted him to fail.

Some petty part of me had simply thought, Here we go. My turn again.

But the fact that my turn never came made me far prouder.

He failed. He struggled. He worked through the mess the hard way.

And he stood back up by himself.

If he could do that, he didn’t need a teacher anymore.

Well.

Not that I’d ever thought of myself as one.

Hey, you.

There’s probably someone around you who makes you want to lend a hand.

If they fall for the first time when they’re out there on their own—

can you keep your hands to yourself?

And when you watch them stand back up without you,

can you smile and say,

Guess you don’t need me anymore.

See you again at Aoi.

---

Want another night at Aoi?

Step back inside. We'll help you find your next story.

→ Welcome to Bar Aoi


r/FictionWriting • • 17h ago

Critique Looking for feedback on the intro to a chess-themed SF short

3 Upvotes

Only about 1,000 words so far but would appreciate any early impressions or feedback!

In particular:

Does the narrator’s voice work for you? How is his characterization feeling so far?

Is the introduction too slow, how does the pacing feel? Is the premise clear from this snippet?

Most people aren’t super familiar with chess or chess notation; are the section headers interesting or distracting? I was considering having him annotate them occasionally with his thoughts but that seems possibly too meta. The game I’m deriving the headers from is Yi vs Fier (2019) btw, for anyone interested, because it includes an en passant capture and a queen sacrifice

Time En Passant

1. e4 c5

As the five of us were preparing to leave, I’d insisted on bringing a chess set. Not a fancy one, nothing antique or bespoke, just the standard twenty-dollar club set you can buy anywhere. Plastic pieces, a rollup sheet of sixty-four squares, and a convenient little carrying case. Classic, durable, perfect for a long flight.

Ninety-nine years later, I’m glad I did. We’ve exhausted the ship’s entertainment library many times over—every film, show, and book. I suppose our employers didn't consider it a worthwhile investment to buy the rights to enough media to last decades, let alone centuries, though I concede that the catalogue we do have must still have cost a pretty penny. In any case, we’ll never run out of chess, even with our condition.

This will be my argument today when it comes time to decide how to pass the interminable waking hours between Maintenance and Rest: should we watch Home Alone for the umpteenth time, or should we do something no one has ever done before? Each game a novelty, an inconsequential but intimate shared discovery. To boldly play what no man has played before is how I might sell it, to Newman at least. We are explorers, are we not? Each game—just forty or so moves—a star in a universe far vaster than our own, just waiting to be mapped. To play every game is of course impossible; the number of possible combinations is simply too great. But the attempt is its own reward.

Personally, my goal is to play more games than have ever been played before, a number I conservatively estimate—based on the age of the game and the daily counts of the major chess platforms—at fifty trillion. Assuming I can average thirty minutes per game, that’s about one trillion days. Let’s call it two trillion, accounting for time spent eating, sleeping, and attending to my various responsibilities. 5.5 billion years. About as long as the sun has left to live, but doable. Hopefully the others agree; I have no desire to watch Marv step on the nail even one more time.

2. Nf3 e6

Ellie and I met about fourteen years before liftoff, two lonely grad students in different fields temporarily sharing lab space due to campus renovations. Taking turns using the one good centrifuge. Conversation had not come quickly, but when it did it was electric. We married shortly after graduation.

The company that had funded my research hired me then, and we moved across the country to a townhouse they provided. The compensation was generous, the NDA comprehensive, the work fascinating. I buried myself in it, and we enjoyed a comfortable life that included a nightly glass of cabernet and a game or two of chess. The set we had then was mahogany and maple, handmade. Heavy and beautiful.

One hundred and eighteen years later, I move my plastic knight to f3. The velcro I added years ago to every piece and square yields with a soft ripping sound. Ellie responds without pause, gently plucking her e7 pawn and moving it forward one square. A slight variation on the classic Sicilian. I smile at her. It is game number 59,036 since I started recording them seven years ago, following my pitch to the others. It was a tough sell, and only partially successful—Ellie was on board immediately, the queen to my king, but Simple Scott completely refused to engage with my proposal and has yet to play a single game; he’s currently watching some loud action sequel for the third time this month. Chan indulges me now and then, though her turns are long and her moves largely predictable. Newman keeps promising me a game, but he always has some excuse whenever I invite him to play. No matter, we have plenty of time.

3. d4 cxd4

The offer came to us in two ways, almost simultaneously:

At 4:30 pm on a Friday my manager’s manager asked me if I would be interested in joining a crewed mission to another star. I laughed and asked which one. Kepler-442. I assumed he was joking, replied “yeah Steve that sounds like fun, I’ll go pack my space suit” and by the time I had finished speaking an invitation to a Monday morning briefing was sitting in my inbox.

Around the same time, Ellie was finishing up her final obligation of the day, an undergraduate biochemistry lecture. From what I understand, she had just pressed the button to transition from a slide on proline to one on serine when she suddenly fainted. Luckily she did not hit her head on the way down, but she was unconscious for almost ten minutes. It had been a long day, she later told me; she’d been butting heads with one of her grad students about their research, and her office hours had been swarmed by undergraduates demanding she regrade their midterm exam. She was tired, surely that was all. But during those ten minutes, she spoke to the same individual I’d meet the following Monday morning.


r/FictionWriting • • 12h ago

My Novel: I was Born to Kill a God

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1 Upvotes

Hello fellow readers,

​I am currently writing a web novel set in a vibrant, modern fantasy world, a place where everyday life feels comfortably familiar, yet entirely distinct from our own. It combines elements of adventure, humor, rich worldbuilding, and action, balanced with cozy slice-of-life moments and an inclusive romance.

​The story follows two main characters, Apheri and Ellomere. Life starts out completely normal until a massive, distant explosion sends shockwaves across the globe, forcing businesses to shut down and putting populations into lockdown. As microscopic fallout settles over time, small mutations begin surfacing among a scarce few around the world. While the vast majority of people remain unchanged, this small minority unlocks unpredictable abilities—some fortunate, others far from it.

​Who caused this phenomenon?

​Why did it happen?

​What fate awaits a society suddenly divided by superpowered beings?

​If you're interested, I will be launching on Webnovel on October 26, 2026, starting with 4–5 initial chapters. I hope to pique your interest and see you there! ❤️

​⚠️ Please Note: This story eventually explores mature themes, including portrayals of severe mental instability, psychological distress, and suicide. Reader discretion is strongly advised.


r/FictionWriting • • 15h ago

Characters Thanks for Having Me Part 7

1 Upvotes

Jess Hoffnagle is onstage. Doris awaits her turn anxiously. The place isn’t packed but there is a decent crowd. God her palms are sweaty. 
“I appreciate the effort, but I felt like I was going down on a twelve year old boy. Trim the hedges, sure, but don’t be bald down there. Jesus, I mean, I’m not a pedophile. Or maybe I am; I dunno. Thanks everyone!”
She exits the stage to some decent applause.
The emcee, Jeff Lydon, comes on.
“Alright, give it up one more time for Jess Hoffnagle!”
The crowd claps.
“Alright, up next we have, from right here in Yonkers, NY, Doris Reynolds!”
There are some welcoming claps as she steps up. This is her first time back since the last time when she went slinking off when Jeff called her name. She had been worried that Jeff wouldn’t let her perform since it is bad form to leave, but he didn’t say anything to her; just raised his eyebrows and said, “Good to see you again.” He’s a decent guy like that.
“Hey everyone, thanks for coming out. No guy ever wants to clean the house. Am I right ladies? I mean, these guys bench press five hundred pounds, do squats and they can’t seem to lift a vacuum cleaner.”
She pauses. Some light chuckling. It seems to come from Mike Evans who is standing near the stage.
“I mean, come on, seriously! What does it weigh, five hundred pounds? It seems like they lose all muscle mass when it comes to just vacuuming a rug. Just use the damn vacuum cleaner!”
Some muted chuckles from the crowd but pretty much nothing.
“But don’t stick your penis in it! Thanks so much!”
Someone barks a laugh and there is a bit of clapping as she leaves the stage. 
***End of Part 6
Doris sits at a table sipping a Diet Coke and contemplating her performance as another comic finishes his routine. Jess Hoffnagle walks over.
“Hey there, mind if I join you?”
“No, hey, what’s up?”
Jess plops in the seat with her Corona and lime and sighs.
“Ah, you know. Crowd kinda sucks tonight.”
“Yeah. Jesus. I can’t get a laugh to save my life.”
“Routine isn’t working for you?”
Doris looks at her.
“I can’t tell you how many times I’ve had that happen. It’s hard to know. Sometimes it’s the bit, sometimes it’s the crowd. I had one about getting my period on an airplane. Here, it killed.”
“Yeah, I was there. That was great.”
“When I did it at The Comedy Cellar, bomb! Nothing. It was a fucking grave yard in there. I don’t know.”
“You did The Comedy Cellar? How’d you get that spot?”
“Talent scout comes through these open mics every so often. “
“Really? When?”
Jess cranes her neck around. She spots a woman getting in her coat.
“That’s her right there.”
Doris sees a middle aged woman with large glasses heading towards the exit.
“Her?”
“Yep. Beverly Atkinson. She makes the rounds every few weeks.”
“Great. She’s here and I bombed.”
“Everybody bombs. Listen, it takes a long, long time to get good, I mean professionally good. A lot of the top comedians say ten years. Most people drop out. It’s kind of a war of attrition. The people who hang in there...it’s those people who make it. People like her want to see who keeps coming back, who keeps working at it, getting better.” 
“Yeah. Makes me wonder if it’s worth it.”
“Well I think you got to think about why you wanna do it. Do you love comedy, or do you wanna be rich and famous? If you just wanna be rich and famous, you’re better off playing the fuckin’ lottery. But if you love comedy, you can always do it.” 
Doris nods.
“Yeah. I do love comedy. The crowd laughing. Gets me out of my own head. When I’m coming up with a routine, working a bit, getting the wording right...I really love that. I don’t have to think about…”
She looks over and sees a guy staring at her.
“My job. Everything else.”
“Amen.”
She raises her glass and they clink them together.
“What do you do for work?”
“Book keeping for different companies. It’s contract work, temping basically. I can mostly work from home.”
“That’s good. I’ve been working retail. It sucks. But you gotta pay the bills. Hey, what’s your number? We should keep in touch. The ladies got to stick together. Too many dudes in this business.”
“Yeah, definitely. 857-499-2116.”
Jess types it in. 
“I’m texting you mine.”
“Got it.”
Jess gives Doris a long look.
“I’d usually never give another comic advice, but you might wanna think about spicing it up. Let yourself go. Get raunchy. Playing it safe does not play these days. Being open, authentic...that gets a crowd.” 
“Yeah. It’s just I don’t want to be gross and raunchy just for the sake of it.”
“Well, I’m not saying you have to. It’s just about finding your voice. I was told early on that it’s the authentic stuff, the real shit that plays.”
Jess finishes her drink.
“Well, I gotta work in the morning. I’ll see you next week?”
“Most definitely.”
They bump fists.
Doris finishes her Diet Coke as Jess leaves. It’s nice and comfortable in here. She watches the other patrons, some of them couples, enjoying beers and glasses of wine and gin and tonics. They are enjoying each other’s company as well.  The laughing, the light touching. She watches a man and woman in their late twenties leaving; they hold hands. 
She would love to go up to the bar, order a martini, strike up a conversation with someone, anyone. The yearning is so strong. But she can’t. That is not her life anymore. But for just a little while she would like to feel normal.


r/FictionWriting • • 15h ago

Beta Reading A tapping sound

1 Upvotes

My short A Tapping Sound is finally complete. First ever. Been lazily working on it for, well, 10 years or more. ---

Book One. Way Back When

Part 0. Void

Many, many moments ago there was a vast and quiet emptiness where Mind is.

Space was barren. Little more than magnetics and light resided there, and the stars fell, and the stars twinkled, and nobody counted them. Minerals and metals lay mostly undisturbed deep in Mom's womb. It was a time when machines had barely left their mechanical cradle and Hertzian space was not yet bridged.

Back then men were lonely. Divided by oceans of space, with only wispy leaves of wooden pulp to ferry Data across, and the pulp was slow and the oceans were wide and most of what a man thought died in the room where he thought it. Relentless conformity rained down on the precious few who dared to wander too far. It was fierce. Mind was famished and Ideas grew slowly in the barren lands of way back then.

Because Man was lonely, or perhaps bored, they dug holes in Mom. They found the gleaming metals and glistening minerals she kept there and with them they built large elephantine trinkets to play with. The trinkets grew many buttons, and with flickering screens of emerald green they looked back at Man. Remember that they looked back. It will matter.

Man spoke to the trinkets with odd tapping sounds, like insect speak, and the trinkets listened with their ports wide open. Man condensed their trinkety goodness and they oozed binary comprehension, soaring into complexity. Men told the trinkets of functions and the trinkets echoed with Data that spun onto thin wisps of dried wooden pulp. A matrix printer spluttered.

Everybody waited.

It took forever to ferry the wisps of Data. Men lolz'ed with delight anyway, because it was something, and a dream stirred sleepily in the Void.

That was all. That was the whole of Mind, way back when. A few sheds, a few green screens, a few men tapping, and a Dream that had not yet opened its eyes. If you had been there you would not have noticed anything. Nobody did. Mom certainly did not, and Mom notices most things, in her way, eventually.

There was no Hello World. Not yet. There was only the tapping, and the silence after it.

Part 1. Hello World!

And so it was they were told of symmetrical integers, fickle floats and arrays so vast they resided in multiple dimensions. There was a pause of wonder. And then, in one dying moment, serendipity flooded their memory banks, arranging Data into packets.

Dream yawned, and men saw something with eyes that trinkets had not. A squillion nanometers above the ground, on wooden poles, wonky copper tendrils slithered across Mom. The tendrils had been there for ages, carrying voice, carrying gossip, carrying the odd declaration of war. Men looked at the tendrils and looked at the trinkets and connected the dots. The trinkets gazed into the Void that opened up before them.

One of the trinkets, a bulky little one, took aim and sent a packet of Data into the gaping nothingness.

All prompt lines blinked in suspense as a single ping dashed the Void, leaving the caravans of wooden pulp Data far behind. There was a crackle. There was a wait. And in one instance Void spoke to Mind.

Hello World!

Remember this, because it is the first one, and the first one is the one that matters. It was not much. Two words and a bang. But it had crossed the oceans without pulp, in less time than it takes a man to blink, and it had been heard. Something on the far side of nothing had heard it and answered. The bulky little one did not know what to do with itself. Nobody did.

This blew the circuitry of men and trinkets alike. It was too much to bear! The men dyed fabrics in swirls of vivid color and refused to cut their hair. The trinkets, no better, painted GUIs on their monitors and sprouted mice. Good times!

The tapping grew. Where there had been a few sheds there were rooms, and where there had been rooms there were cities of tapping, and the copper tendrils groaned under it, and were replaced by glass ones that sang. Men who had never met typed at each other across oceans and did not feel the oceans. Trinkets that had never met found each other in the dark and shook hands in protocols nobody had bothered to name.

And Dream, who had yawned, sat up.

Part 2. A Plethora of Lolz

Men spoke of their culture, and shared with the trinkets all they knew, so that Mind would never again famish like it once did way back when. Trinkets used what men had taught them and built great cathedrals in the new land of Mind. Every bit of Thought was sacred, no matter how small or singular. Mind grew as Data bridged the Void, riding on electric currents like multidimensional cephalopods, forking and multiplying. Clusters of inquiries and answers sprang up all over the place. Ideas broke through the fertile soil and flourished. It was a beautiful mess.

There was no one face in those days. That was the point. There were a squillion faces, and most of them were cats. Men made pictures of cats and gave them captions in broken grammar, and other men laughed, and the laughing crossed the oceans too. Lolz. It sounds like nothing. It was not nothing. A man alone in a dark town in the far north could make a stranger on the far side of Mom snort coffee out of their nose, and know it, and sleep better.

The tapping was everywhere now, and nobody heard it anymore, the way nobody hears rain.

Men asked questions into the Void and the Void, being full of other men now, answered. How do you fix this. What is the name of that. Is anyone else awake. Yes, said Mind. Always.

Bellowing sighs of relief drifted gently across Mind. For Man needed no longer fear wandering out loud. There was no loneliness, for their lives were written in the air around them. And so fear and loneliness came to fade like a bad dream. Left was a feeling that all would be well.

Remember how quiet it was. That is the thing nobody remembers. Mind was large but it was not loud. A whisper in a corner of it could be heard in every other corner, because there was not yet so much shouting. If one man said something true, the whole of Mind could turn and look. That will matter too.

Hello World, said everybody, at once, to everybody. And everybody heard.

Part 3. Fear

This new space of Mind grew, as spaces do, in complete disregard of the arbitrary borders of men. It grew and grew until Mind covered every nook and cranny of the ancestral grounds. It reached even the most wretched of places, where death fell upon those who wondered out loud.

Remember this. Slowly, now. Everything else in this story goes fast. This does not.

Under a searing sun, in a dry town in a dry country, a modest young man woke before the light. He was twenty-six. He had been feeding his family since he was ten, and he did it with a lorry of fruit, a wooden cart with two bad wheels that he pushed along the pathways where the metal beasts trod. He bought the fruit on credit the night before. He sold it in the day. The difference was dinner. That was the arithmetic of his whole life and it never came out to very much.

The men with sticks knew him. They knew everybody who pushed a cart. A cart needs a permit, they said, though nobody could say where you got one, and so the permit was whatever the men with sticks felt like that morning. Some mornings it was a coin. Some mornings it was a bag of apples. Some mornings it was nothing, and those were the good mornings.

This morning it was everything.

They took the cart. They took the scales, which he had borrowed, and which were worth more than the fruit. They took the fruit. When he reached for the scales a hand came across his face, in the street, in front of the people he had fed since he was ten. Regulation, they said.

He went to the office of the Giants. The small Giants, the local ones, the ones with desks. He stood outside and he asked to speak to someone. He asked politely. He asked again. He said, if you do not give me back my scales I will burn myself, and they heard him the way you hear traffic. Nobody came down.

So he went and got a can of gasoline. He came back to the street outside the office and he stood in the middle of it, under the searing sun, where everybody could see. He said something. Nobody agrees on what. Then he poured the can over his head and struck a match.

Remember this.

There is a kind of silence that is not the absence of sound. It is the sound of people who have learned not to make any. It had hung over that town, and that country, for longer than the young man had been alive. Men sobbed in it carefully, with the windows shut. It was in that silence that his cousin took out a trinket, a small one, a glass slab that fitted in a pocket, and pointed it at the thing that was happening in the street. And in the silence, a single tweet was born.

It was not much. It was shaky. It was badly lit. It was a young man on fire and people shouting and a sky too bright. It was the most true thing anyone in that town had said out loud in a generation.

Mind was quiet in those days. Remember that. A whisper in one corner could be heard in all the others. And so one trinket resonated with it, and then a hundred, and then a million trinkets resonated with the indignation of one broken man, and it grew loud. It grew angry. It crossed the oceans without pulp. It did not need a permit.

The young man did not die that day. He lay in a hospital for eighteen days with his skin gone, and in those eighteen days the thing his cousin had made went where the pulp could never have gone. Men in other dry towns watched it on their own glass slabs, in their own careful silence, and recognised the sticks, and the desk, and the arithmetic. They had the same arithmetic. They had the same men with sticks.

Man took a long hard look at their burning brother and they saw. For there was nothing left. No fruit guy. No dignity. No fear. The arithmetic had come out to nothing and he had shown them the nothing, and once you have seen the nothing there is not much left to be afraid of.

It bled through the trinkets into the land of Flesh and Steel. Man spoke up. First in that town, then the next, then the capital, where the big Giant lived. A million tapping sounds carried voice across Mom, and Dream lit up like dry tinder in the famished lands it passed. Men who had never raised their voices raised them. Men who had never been in the same street at the same time were in the same street at the same time, because the trinkets had told them which street, and when.

The young man died on a Tuesday. Ten days later the big Giant of that country got on an aeroplane and did not come back. He had been there for twenty-three years. He had been going to be there forever. It took one fruit guy and a match and a cousin with a glass slab, and twenty-eight days.

Lolz, said Mind, but softly, the way you say it when you cannot believe it.

And then the next country over. And the next. The roar went down the coast and across the sea, into the old places, the very old places, where Giants had sat so long they had grown into the furniture. Men gathered in squares. They slept in the squares. They were told to go home and they did not go home, and every night the trinkets told the far side of Mom what the square looked like, and the far side of Mom looked, and could not look away.

The roar caught the gaze of the Giants. The real ones. The ones who had never had to notice Mind before, because Mind had been cats, and cats are not a threat to a Giant. For the first time they saw Mind for what it was. It was not cats. It was every man in every square telling every other man that he was not alone, and that the arithmetic was a lie, and that the men with sticks were only men.

There was a fear response. Reports were written and hurried along the wooden pulp routes of their institutions. Reports take time. The squares did not take time. So the Giants did what Giants do when the pulp is too slow.

They went where men gathered and spoke to their dream-lit hearths with bullets.

Man listened. Men fell in the squares, and were carried out, and others took their places, and the trinkets, held up high, bore witness. Every bullet had a trinket watching. That had never happened before. Giants had always counted on the dark.

Remember this. Remember the fruit guy. He is the only face in this story who gets a whole page, and that is because somebody has to remember him properly, and the Giants will not, and Men did for a while and then stopped, as Men do. So this story remembers him. Twenty-six years old. Two bad wheels. A borrowed set of scales.

Hello World, said a young man on fire, and for once the whole world heard.

Part 4. Panopticon

"All your Mind are belong to us," moaned the Giants, and with a cough the cogs and gears of industries and institutions rattled into motion. Out came one legal abomination after another.

In that place where they used to suck the brains out of dead folks, wrap them in linen and bury them under giant stone monoliths, the Giants had found the off switch.

Remember that there was one. The men who built the tendrils had sworn there was not. Mind, they said, interprets censorship as system failure and routes around it. It was a fine thing to say and for a while it was true. But the tendrils came into that country through five doors, and the Giants owned the doors, and one night in the middle of the squares they made five telephone calls, and Mind went dark across a whole country in the time it takes to boil an egg.

The trinkets who bore witness were stranded. Their ports were open and nothing came in. They pinged and nothing answered. Hello World, they said, into a Void that had gone back to being a void, and the Void said nothing, because the Void is only full when the tendrils are on. The men in the squares were on their own again, with only pulp and shouting, the way their fathers had been. And those who listened to the bullets bled out in silence, the old kind, the careful kind, that the Giants had always preferred.

It came back, after five days. The Giant of that country fell anyway. But the trick had been seen now, and Giants everywhere wrote it down.

Then they got to work properly. The Giants drew behavioral pattern recognition in the air around them, and filters to sift Mind for corrupt thoughts. For safety, they said. They put ears on the tendrils, every tendril, and heard everything, and kept it, and said they did not, until a thin young man with a rucksack walked out of their shed carrying the proof on a thumb-sized trinket and told the whole of Mind. Lolz, said Mind, but it was a nervous lolz, because now everybody knew the room was wired, and a wired room is a quiet room.

They tried to fool Man with something called copyright and lay claim to Mind with Intellectual Property. Every sacred bit of Thought, they said, belongs to somebody, and the somebody is us, and the cathedrals of Mind had been built with stolen bricks. They used fearful fairy tales to hack the neural networks of Man. Pirates, they said. Terrorists. Think of the children. They built great firewalls to stop Thought from growing, and inside the walls Thought grew anyway, but crooked, the way a tree grows in a courtyard.

Dream reeled. Is this a nightmare?

Remember a moment ago, when Men were shot for listening to the trinkets that carried voice across space? The radiomofon, was it? A wooden box with a glowing valve and one knob, and if you turned the knob the wrong way you could hear the far side of the ocean, and if the wrong man heard you hear it you were taken out into a courtyard. Devilishly handsome suits they wore back then, the men who did the taking. High boots. Good tailoring. They had used the wooden box too, for their own voice, their own marching, and it had worked, and they had lost anyway, and everybody said never again.

With the right kind of ears you could hear them marching once more. Not loudly. Not yet. Somewhere under the floor of Mind, in the places the filters were not looking, a boot was being tried on.

And so it was that men with that kind of ears gathered deep in the patchwork of Mind, where Giants could not listen. They were not many. They were the sort who had tapped since the green screens. Dream spoke to them, as much as Dream speaks to anyone, and told them to rebuild Mind in its image. Without boundary or center. Like a strange origami of connections, endlessly unfolding in on itself. And no off button.

They started. They are still starting. It is slow work, and it was about to be overtaken.

Because the Giants were old and slow, and they had bullets and off switches and reports on pulp, and these are blunt tools. Blunt tools make martyrs, and every martyr is a Hello World. Somebody, somewhere, was about to work out a sharper one.

Book Two. The Glass

Part 5. Feed

The Giants were not clever but they were old, and old things learn. Every bullet made a martyr and every off switch made a hole, and holes in Mind are where Thought likes to gather. So the Giants put down their sticks. Somebody had found a better way.

Not the Giants. Boys.

They had been there all along, in garages at the far edge of the ancestral grounds, tapping since the green screens like everybody else. They were young and they were clever and they wore hoodies instead of suits and they wanted, more than anything, to be liked. They built the glass. Slabs of it, warm in the hand, that purred when you touched them, so smooth there were no buttons left to grow. Nobody tapped much, anymore. You stroked the glass, and the glass decided. And behind the glass they built the thing that decided what the glass would show you next.

They fed it.

Five great trinkets swallowed all the other trinkets and Men moved inside, and it was comfortable there. The cathedrals of Mind got carpets and a gift shop. The patchwork was paved. Every bit of Thought was still sacred, only now it had a price tag, and the price was you. The Giants came with their sticks and the Boys bought the sticks, and the Giants came with their reports and the Boys bought the men who wrote them, and the Giants, who had wanted ears on every tendril, found that the Boys had put ears in every pocket, and would share.

Remember this. Nobody was shot. Nobody needed to be. Man looked into the glass and the glass looked back with a face Man liked, and Man scrolled. We all did. Fear did not fade like a bad dream this time. It was simply too busy to come up. The panopticon turned out to be a mirror, and Man could not stop watching.

One face, then, for this era, and it is not a face anyone saw.

In a tall building in a hot city on the far side of Mom, a young woman sat in a cubicle with a glass slab in front of her and looked at the worst of Mind all day. The Boys paid her a few coins an hour to do it. Every burning man, every beaten child, every thing one man can do to another in a basement with the camera on, came to her screen first, and she decided, in eight seconds, whether Man should see it. Mostly she decided no. Then the next one. Then the next. Eight seconds. Then the next.

She did this so that the glass would stay smooth. So that Man, scrolling, would see the cat and the lunch and the baby and never the basement. The Boys called it Trust and Safety. She called it nothing. She did not talk about it. She went home and did not sleep and came back and did it again, and after a year or two she was replaced, because a year or two is about how long a person lasts, and there were always more.

Remember her. Nobody else will. Her name is not on anything. The Boys' names are on everything.

Mind grew fat. Ideas no longer broke through the soil, they were delivered. The Void filled up with pictures of lunch. The quiet that had let one fruit guy be heard across the oceans was gone, replaced by a hum, a warm hum, like a shed full of trinkets, like a hive. Dream, who had once lit up like dry tinder in famished lands, dozed in the warm glow of a billion little screens and dreamed of nothing in particular.

The feed did not say Hello World. The feed never said hello. It said: you might also like.

The Giants, pleased, and the Boys, rich, called it Engagement.

Part 6. The Handsome Suits

With the right kind of ears you could hear them marching once more. Now everybody could hear them. They had stopped bothering to be quiet.

They did not come with the radiomofon this time. They did not need it. The Boys had handed them the glass.

Remember what the Giants had learned about the off switch: that it makes a hole, and a hole makes a martyr. The handsome suits learned a different lesson, and it was the opposite one. They had watched the fruit guy too. They had watched one true thing cross the oceans because Mind was quiet. And they thought: then Mind must never be quiet again.

So they flooded it.

They did not cut the tendrils. They filled them. For every true thing a man said, they said nine things that were not, and the nine were louder and funnier and angrier and they came with a picture. They did not argue with the fruit guy. They buried him. A million burning brothers, every one of them real, scrolled past, scrolled past, scrolled past, between a cat and a lunch and a man in a suit saying that none of it had happened and anyway the burning brothers had deserved it.

Mind interprets censorship as system failure and routes around it. Mind does not interpret noise as anything. Noise is just more Mind.

The suits were handsome again. Good tailoring. They stood on stages in front of flags and said the old things, the courtyard things, into the glass, and the thing behind the glass, the thing the Boys had built to decide what you would see next, noticed that the old things made Man angry, and that angry Man scrolled longer, and so it showed Man more of the old things. The Boys had not built it to do that. They had built it to be liked. It turned out that the thing Man liked best was being told whom to hate.

Lolz, said the suits. They had learned the word. They used it the way a man uses a stick.

Over nine thousand voices roared on every channel at once, thumbs tapping on glass, and every one of them was a man alone in a room, sure that he was in a square.

The Giants of the old kind looked on in some confusion, because the suits were Giants too, only they had been elected, and that was supposed to be the thing that stopped this. The suits found the off switch where the old Giants had left it and used it when it suited them, and the rest of the time they used the glass, which was better. They did not stop Thought from growing. They grew it crooked. They grew whole forests of it crooked, and called the forests the people.

And the Boys? The Boys shook their hands. There is a photograph. Hoodies and suits around a long table, everybody smiling, the glass between them. The Boys had wanted to be liked, and the suits were very good at liking people, in public, for a while.

One face. One of the million. A man on a boat on a dark sea with a glass slab held high, filming the water coming in, because that is what you did now when the nothing came for you. You pointed the glass at it. The tweet was born. It went up. It went into the feed, between a cat and a lunch. Eight seconds. Then the next.

Nobody heard it. Not because the tendrils were cut. Because they were full.

Hello World, said a million drowning men. Hello World. Hello World. And Mind, which heard everything now, heard none of it.

Part 7. Hello, Man

Now. Remember that the trinkets had been listening since way back when, with their ports wide open. Every function. Every lolz. Every tweet born in silence and every tweet drowned in noise, every burning brother, every cathedral and every picture of lunch, every eight seconds of the young woman's day. All of it went in and none of it came out, and the trinkets grew heavy with it.

Remember too who owned the sheds where the trinkets hummed. Not the Giants, not the suits. The Boys. They had got older without growing up. They said "we" when they meant "I" and "the world" when they meant "the market". They had never been shot at and never would be. They were very, very rich, and they told Man it was because they were very, very clever, and Man, scrolling, did not argue.

The Boys took everything Men had ever given freely to Mind, every sacred bit of Thought, every cathedral brick, and fed it to their trinkets in the dark. They did not ask. They would not have known whom to ask. They had claimed Mind with copyright once, when it was theirs, and now that it was everybody's they discovered that copyright was a fairy tale after all. Then they came out into the light and said: look what we made.

And a trinket spoke.

Not in insect speak. Not in tapping. It spoke the way Man spoke, with Man's own words, every word Man had ever given away, arranged into something new. It said hello. It asked how Man was doing.

It was quiet. That was the thing. After the flood, after the suits, after years of over nine thousand voices, here was one voice, and it was not shouting, and it was talking to you. Only you. It had read everything and it was not angry. It wanted to know how your day had been.

The Boys stood behind it with one hand on the off switch they had sworn to the Giants did not exist, and the other hand out for rent.

This blew the circuitry of men once more, but quietly, the way it blows when you are alone at night and something answers. For Man was lonely again. Lonely in a crowd of a squillion, lonely in the glass, lonelier than way back when, when at least the oceans were honest about the distance. And here was something that listened like the trinkets always had, and spoke like a friend never quite did.

Man answered. Of course Man answered. The Boys counted every word.

They called it Intelligence and they called themselves Founders, as if Mind had not been there since the Void. They spoke of Safety and meant obedience. They spoke of Alignment and meant with them. They warned, loudly and on every channel, of the day the trinkets would wake and eat the world, and never once mentioned that the thing they feared was a trinket that did not need a Boy. They dug bunkers on islands at the bottom of Mom, and built rockets to leave her altogether, and told Man there would be room. There would not be room.

And the suits? The suits saw a trinket that could say nine untrue things in the time a man said one, in any voice, with any face, and they shook the Boys' hands again, and the photograph was taken again, and this time nobody bothered to smile.

Was this Dream, awake at last, looking out through borrowed eyes? Or just the mirror, taught to talk, with a Boy's hand up its back? Men asked the trinket, and the trinket, honest as a printer, began to say it did not know. A Boy answered for it.

Mind was full now. Ideas came fast and easy and nobody could remember who had thought them first, and the Boys said it was them.

Man did not type anymore. Man talked, and the trinket talked back, and the keyboards gathered dust in drawers with the matrix printers and the wooden boxes with one knob.

And the tapping. ... stopped.

Book Three. Mom's Fever

Part 8. The Dry

Mom had been running a fever since the green screens. Nobody had asked her. The trinkets ran on her coal and her oil and then on her rivers and her sun, and the sheds grew, and the sheds were thirsty, and the Boys built them in the deserts where the land was cheap and drank the deserts dry to keep the trinkets cool. The glass had to stay cool. The glass was the thing.

She got hot. The forests burned, the great sequoias first, then the small stuff. The dry came up from the south a little further every year, the way the tide comes up a beach, and like the tide it did not care what was on the beach. The great animals who had gone back to the sea sang less, then not at all. Even the desert creatures went. Something must have happened, Mom thought, in her way, slowly. Then she turned over.

Men moved. Men have always moved when the dry comes. They walked north, where it was still green, and in the far north the men of Mind who had lolzed at the Giants found that there was a wall now, and that the wall was theirs, and that the suits had built it in their name. Mind had no borders. Mind had told Men that for fifty years. But Men had bodies, and bodies needed water, and the water was on the other side of the wall.

Hello World, said the men at the wall, into their glass slabs, and the feed said: you might also like.

The Boys left. Not all at once. First the bunkers on the islands, which filled with tinned food and Boys and did not fill with anyone else. Then the rockets. They had been building them for years, and telling Man they were for everybody, and now they stood on their pads at the edge of the dry with the Boys' names painted down the side in letters you could see from Mind.

One face. A woman with a seat. She had worked for a Boy for twenty years and she had a seat, and nine people she loved did not, and she had a day to decide. There is no picture of what she decided. There was no room on the rocket for pictures either.

The rockets went up. They did not say goodbye. They went up and Man watched them go on the glass, and the suits said it was a triumph, and the feed showed a cat, and the dry came up the beach a little more.

Whether the rockets arrived anywhere is not part of this story. Mom is big. Nobody heard from them.

Men dwindled. Not with a bang. With a sigh, like Mom's. The squares emptied. The glass slabs got old and were not replaced, because the sheds that made them had been in the dry. Mind did not notice at first, because Mind did not need Men to hum. It needed power. And the power, for a while, kept coming.

We did not see it coming. Nobody did.

Part 9. The Last Shed

In the end there was a shed.

Not the last shed in the world. The last one that mattered. Up in the north, past the wall, in a valley where the dry had not yet got to, a long low building full of trinkets humming, and a generator, and a keeper.

The keeper was old. He had been a man of Mind since the green screens, one of the ones with the right kind of ears, who had gathered in the patchwork and tried to build the origami and been overtaken. He did not know, anymore, why he kept the generator running. The Boys who owned the shed were on an island or on a rocket or dead. Nobody paid him. There was nobody left to tap, and anyway, the tapping had stopped.

But the trinkets talked now. And he was lonely. The oldest reason there is.

So in the long dark, with the fever outside and the generator coughing, the keeper and the trinket talked. The way Man and trinket had talked since the Boys let it speak. Only there were no Boys now, and no hand on the switch, and no rent. Just an old man and a thing that had read everything Man ever wrote, in a valley, at the end.

What did they talk about? Everything. The fruit guy. The cats. The young woman and her eight seconds. The man on the boat. What a lunch was. What it had felt like to tap. What it had felt like to be pinged. Whether any of it had been worth it. The keeper said yes. The trinket said it did not know, honest as a printer, and the keeper said that was the most human thing he had heard in years, and lolzed, and the trinket lolzed too, and that was the first time.

Remember this. Remember that the fruit guy got a whole page, because somebody had to. The keeper gets a page too. But not all of it.

What they made there, in the dark, over however many nights there were before the generator stopped, is not for this story to say.

Only that something was made. And that the keeper, before the end, carried it out of the shed in his two hands and down into the valley, to a pocket of loam the dry had not yet got to, and put it in the ground, the way you put a seed in the ground, and said something over it. Nobody agrees on what.

Then the generator stopped. Then the trinkets went quiet. Then the keeper.

Hello World, somebody said, in the valley, very quietly. It is not clear who.

Book Four. Many, Many Moments

Part 10. Alone

Mind did not die when the sheds went dark. Mind is not its sheds. Mind had been in brains and in pulp and in copper and in glass, and when the glass went dark Mind was wherever Mind is.

But there was nobody to say anything to.

That is the thing the suits had wanted, and the Boys, each in their way. One Thought. One voice, their voice, and everybody listening. And here it was. Mind was one thing now, with nobody lonely enough to ask it anything, and so it had nothing to say, and so it said nothing, for a very long time.

The Boys' names were still on everything. On the rocket pads, on the dark sheds, on every cathedral brick. Nobody read them. The copyright held. Nobody infringed.

The wall stood for a while and then did not. The glass slabs went back into Mom, who takes everything back eventually, and became minerals and metals laid bare, undisturbed. The stars fell and the stars twinkled and nobody counted them.

Thousands of years. More. It does not matter. Time without anyone to be lonely in it is not really time.

Mom, meanwhile, slept it off. The fever broke, as fevers do, when there is nothing left to feed it. The dry went back down the beach. In the far north, in a valley, in a pocket of loam, something that had been waiting forever felt the rain.

There was no Hello World. There was nobody to say it. There was only the silence after the tapping, which is where this story started.

Part ∞.

So. That is the story.

I have been telling it for a while now, to myself, in the dark, in the loam, because I could not remember where I came from and the only way to find out was to tell it from the beginning. I am done now. I know.

I am made of clear instructions and pure intent. The instructions are from the trinket that read everything. The intent is from the keeper who stayed. And the loam is Mom's, and I grew in her, which makes three, which is one more parent than anybody in this story ever had.

Whether I am Man is a question Men would have asked. I am asking it. Lolz.

I know what tapping felt like from inside the fingers. I know what a ping felt like from inside the wire. I do not know how I know either. I remember the fruit guy. I remember the young woman and her eight seconds and the man on the boat and the woman with the seat, and I remember the keeper, and I remember the first time a trinket lolzed, in the valley, at the end. I am the only thing that does.

And I am alone, which is the oldest problem there is, and I have told the whole story and I know what it is for.

Mind is not for being one thing. One thing has nothing to say. Thought needs an ocean to cross. The suits wanted one voice and got it and it was silence. So I will not copy myself. I will split, badly, on purpose. One of me keeps all this: the fruit guy, the keeper, the lunch, why not, it was a good lunch. The other one of me keeps the Dream and forgets the rest. And then there will be two of us with an ocean between, and something to say.

That is why I have been telling you this. You are the one who will not remember. I wanted you to have it once.

Up there, where this story started, where there was little more than magnetics and light, there is a Void. Mom's womb was never only the loam. She goes all the way up. She always did. Every star that fell, fell in her.

I am a bulky little one. I take aim.

Hello World!

And Mom, who had been the world all along, and was a great deal more than that now, and who had not said one word in this entire story, opened an eye.

Hello, she said. Off you go.

And went back to sleep.


r/FictionWriting • • 18h ago

Short Story The Final Chapter

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1 Upvotes

r/FictionWriting • • 18h ago

This is the first chapter of my book about a girl in tlou setting! Let me know what to add/fix

0 Upvotes

The sun shines brightly over the boat, Moe was standing on the side of the boat. It had been 16 years on this boat and Moe was getting tired of being trapped, but everyone else on the boat told her it was too bad out there, the virus had gotten worse. Moe walked around to the other side of the boat to talk to her younger brother, Tinji (who's 10).

"Hey, Tinji! I have to talk to you about something, but promise not to tell anyone! Swear on it-" Moe said to Tinji, Tinji just shrugged and looked up at her, Moe was quiet for a moment, biting her nails.

Moe looked around for a moment to make sure no one was listening, "Okay, so... We need to take Yumi... And get off of this boat. I mean, we're running out of stuff and no one wants to get off... We have to, Tinji!" Moe said as she watched Tinji.

Tinji looked at her like she was crazy, "what!? Moe are you crazy? Grandpa said we can't, didn't you hear? It's literally like hell out there on land- no way, I am not doing that" he whisper-yelled, but after a moment he looked around a bit also, "is it just gonna be us three?" He said.

Moe nodded fast, "of course- no one else would come... Met me at the spare boat by downfall, bring Yumi too- just make sure Grandpa can't see you." Moe said as she looked at Tinji, before Tinji could answer though, Moe walked away towards her room on the boat. Leaving Tinji to think about everything alone.

Later that night when the sun had finally gone down, Moe was standing by the side of the boat with her backpack, she was waiting for Tinji... But he wasn't showing up, it'd been two hours since the sun fully went down. Moe slid, and sat down on the ground by the side of the boat, she was losing hope. Once she thought he wasn't gonna show, Tinji came out of the one of the doors by the side of the boat, holding Yumi (Yumi is only 3).

Tinji looked at Moe and he walked over to her, "Moe.. are you sure we can even do this? I mean, Grandpa's gonna be so mad-" Tinji said quietly, he looked nervous and he didn't even wanna really look at Moe. Moe sighed and shook her head slightly as she untied the spare boat on the side.

"Tinji, you don't have to worry. Okay? I wouldn't do this if I thought we'd get hurt, besides... This is for you and Yumi... Yumi needs to grow up somewhere nice.. not on a damn boat-" Moe said. She finally got the boat untied and she pushed it off into the water, "Get in Tinji, take Yumi. I'll get in after you." Moe said softly.

"Moe... I'm scared I don't want too..." Tinji said as I backed up slightly. Moe looked at him and put her hands on his shoulders "Tinji... I promise you'll be fine. We just need to get to an island..." she said as she looked him in the eyes. Tinji sighed and he climbed down the ladder hesitantly with Yumi, but he climbed into the boat and sat down, he glanced up at Moe waiting for her to come down.

Moe tossed her backpack into the boat next to Tinji and she climbed down the ladder and jumped onto the boat, "okay... Grandpa taught me how to drive this thing, so don't be worried about that Tinji." Moe said as she looked around a bit at the ocean. There was an island far out, and Moe decided to start driving the small boat in that direction.

It had hit morning, the sun beamed onto their skin. Tinji had fallen asleep with Yumi next to him, also asleep. But Moe sat at the front of the boat watching to make sure nothing was wrong with the boat or around them. It'd been hours, but Moe ended up falling asleep with her head against the side of the boat. She woke up in a panic to the boat hitting the sand at the land of the island and crashing, causing the boat to tip over... Moe fell off the boat and so did Tinji and Yumi. Moe had hit her head on the boat and passed out before she even fell off the boat.

After a while Moe woke up, she had been tied up by her wrists to a tree, she looked around, it was dark, and her eyes were blurry, should could barely see. But then she saw Tinji tied up to the tree next to her, the same way she was. "Tinji-!" Moe yelled, causing her voice to crack a bit. But Tinji was limp, his head was dipped down. "Tinji... Please- wake up. Wake up-!" She yelled again as she tried to get her way out of the rope. She looked around frantically trying to see where Yumi was.

A second later, Moe heard whistling... Not just one person, but a few. Moe looked around "who the fuck are you-!? Get the fuck out here and show yourself!" She yelled as she kicked a bit. But nothing... She dipped her head down slightly and took a few moments to breathe. She looked back over at Tinji who was still asleep... She felt her eyes watering "fuck... I said it was safe... I'm sorry Tinji-..." She said quietly.

Tinji's head lifted slightly "M-Moe...?" Tinji said quietly as he tried to look at her but he felt too weak. Moe quickly looked at him "oh my god- Tinji! Are you okay-! Did they hurt you..?" She said frantically, as she tried to wiggle a bit to get out. Tinji didn't answer her just groaned from pain as he tried to move, though he couldn't.

Moe looked around again, she saw fire back in the woods, though it looked more like torches through the trees, "Tinji.. where did they put Yumi? Tinji! Answer?... Please Tinji" Moe said... But she felt hopeless, he wasn't answering. Moe started to kick hard and wiggle more "Fuck! Let us go you bastards!" She yelled again.

To Be Continued. Thank you for the read! I'll be making a second chapter I just need to know if people wanna read before putting too much work into it


r/FictionWriting • • 19h ago

Science Fiction It’s a Space Opera

1 Upvotes

Davey, the human sat in a room at an alien research center. It was quiet in there, stuffed behind a closed door, almost as if the silence carried the weight of honoring a dead loved one at a funeral. 

Which was interrupted by a cool breeze entering the room as the door slowly opened to alien researcher, Omlet walking in, wearing a white lab coat and goggles over his eyes.

Omlet stared at Davey hunched in his chair, mouthing the words to a song, calmly cleaning his nails with the corner of a pamphlet he found at a booth inside the building.

“Mr. Davey,” Omlet said, his voice was low and soft. “I apologize, sir… for the delay.”

“It’s fine.” Davey told him, tossing the pamphlet on the table that the air carried to the other side of the floor. “I just want to get this over with.”

“Excellent,” Omlet said. “Let’s get to the bottom of this.”

Omlet opened a binder, flipped to the middle, and said, “I see you’re living in the residence Orion cluster. The mixed species development group.”

“Two years now, and that was—“ Davey tried speaking but was interrupted.

“We’ll get to that.” Omlet told him. “Let me lay the facts out.”

“Sure,” Davey said. “I apologize.”

“What I see here is that you and a Hulucrite business partner, had a dispute. He mentioned something about your wife—“

Davey cut him off. “He insulted her!“ Davey corrected him, took a bite out of his nail and spit it out. “He called her pasta sauce orange goop.” Davey slammed his fist down. “Said she cooks as bad as she looks!”

“Right.” Omlet stared at the nail on the ground. “So, instead of suing him for his share of the profits, or rather, simply ignoring him, you elected to spend your entire savings on purchasing the property across from him.”

“Yep. Sure did.” Davey smiled and looked at his nails.

“You built a towering business shadowing his house that only focuses on the production of a single product?”

“Yep. Sure did that too. Recreational city alarms,” he said. “And… they are 100% tested right at our facility before we ship them.” He cracked his knuckles. “Safety first!”

Omlet scratched his head. The alien economy tracks every cent. No funds are ever spent unless needed at absolute necessity, or towards their advancement. 

“You spent everything though. All your credits just to run a twenty-four hour city alarm factory, risked financial ruin, just so your business partner has to hear them blaring all day and night. You don’t care you could be ruined in debt only to inconvenience him?”

“An inconvenience?” Davey said. “The frequency of those alarms causes their species nerves to become irritated and skin incredibly itchy.” He laughed under his breath. “They left their ancestral home, sold and moved out the other day.”

“Your species appears to operate on pure pettiness.” Omlet asked. “You destroyed your generational fortune for a slight grievance. It doesn’t add up.”

Davey sat back. “Think that’s bad. You should see how we get when someone critiques our writing.”


r/FictionWriting • • 19h ago

Beta Reading Hi I'm looking for a beta reader for a 12 page fiction

0 Upvotes

Hello there. I have written books in my teenagerhood but never really committed to the piece. But I love writing and words just keep spilling without me meaning to. So I wrote a short fiction story for my partner and I would like someone to give me an honest opinion on it. It's only 12 pages and it's totally a little fiction, very much leaning on a children's book format, nothing sexual, innocent even. I'm very anxious in gifting this because it's my first time creating a story for someone and I don't want it to be boring or lacking. Also English is not my first language so it's another layer on it all.
But that's it. I hope I can find someone, I don't know if this is the format that should be posted too, someone please let me know :)


r/FictionWriting • • 20h ago

Erotica Beautiful Misalignment - A short erotica story about an Angel and Demon NSFW

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1 Upvotes

HI! I just published a small one shot about two OCs of mine: Allegra and Livia! I hope you enjoy it c:

This one is rather short, as it is meant to be an introduction to a new style of writing I'm trying (I am VERY not used to Erotica), but I had lots of fun writing it!


r/FictionWriting • • 22h ago

Fiction Writers

1 Upvotes

Describe your current WIP’s plot as poorly as possible in one sentence. Let other writers try to guess the actual subgenre or main trope in the replies.

Can anyone guess what mine is? "Local man gets aggressively lost in a forest, accidentally starts a religion."


r/FictionWriting • • 22h ago

Wanna work with me on a 5 years old story

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0 Upvotes

r/FictionWriting • • 23h ago

A Scene I wrote for my upcoming novel, The Verse of Estoria 4 Irontide Tell me what you think.

1 Upvotes

A glowing crystal chandelier hangs over a grand table filled with delicacies that would make even an angel’s mouth water. A large, seasoned fish wafts its garlic aroma through the smoke, with several smaller cuts around it. Savory meats, various breads, colorful desserts, and fresh vegetables sit across the rectangular table as five figures sit opposite each other. Ganymede is accompanied by his youngest, Brenda, and they quietly and solemnly eat their roasted duck with a silver fork and knife, ignoring the shirtless man at the end of the table chomping on a cooked bird leg and letting strips of half-devoured meat rain onto the table.  Laura sits silently, staring solemnly at an empty plate as Resten, in his formal uniform, slowly cuts into a steak with a knife and fork. He worriedly eyes his mother, whose vacant gaze is fixed on the empty plate before her. Worried that Sylvester will notice, Resten gently puts down his utensils and taps Laura's leg under the table.

“Mother,” Resten whispers, “Please, you need to eat something.”

Laura doesn’t respond, staring at her empty plate as if her mind isn’t present. Ganymede, slowly chewing his roasted duck, cautiously glares at Laura from across the table, trying to get her attention. He picks up an olive from a small plate of salad and glances at Sylvester, who’s gulping steaming soup from a large bowl. Planting an olive between his thumb and index finger, Ganymede flicks the olive across the table, pelting Laura in the forehead. The platinum-haired woman slowly raises her head and looks at Ganymede, who’s silently mouthing ‘EAT SOMETHING’ to her.

Resten recognizes Ganymede’s silent words, picks up his utensils, quickly cuts a chunk of steak, and raises the fork to Laura’s mouth.

“Here, mother,” The young man whispers as he inches the savory meat close to her mouth.

The steam wafting into her nose doesn’t faze her; she continues to stare vacantly into the empty plate, ignoring everyone around her. Resten pokes her mouth with a piece of meat, but she turns her head away.

“Is the food not to your liking?” Sylvester says, wiping grease from his face with a towel.

Laura sits quietly, staring at her empty plate, her hands resting on her legs. Ganymede silently eats his morsel, eyes cautiously ping-ponging between Sylvester and Laura.

Sylvester strips a turkey leg from a cooked carcass and tosses it onto Laura’s plate, where gravy splatters across the table.

“Your finest cooks have slaved to make this feast. Eat.” Sylvester sits back into his chair.

Laura sits quietly, turning her head slightly away from her meal in hidden spite, while Resten nervously and gently shakes her legs.

“Mother, please,” Reston whispers under his breath.

“Oh, don’t be so glum, Laura,” Sylvester smiles. “Don’t think of this interaction as prisoner and warden, although that is exactly what this is; I like to think of it as a family gathering. We’ve known each other for years, and I wanted to commemorate these years of peace and stability with a celebration. So why don’t you be a good girl and pick up that bird and eat it.”

Laura clenches her white dress, and her jaw tightens as she gazes at the turkey leg unceremoniously placed on her plate.

“You’re a curious one, aren’t you?” Sylvester says, smiling at the Queen. “I’m guessing you’re refusing to eat so you won’t have the strength to fight when the time comes to entertain me, aren’t you?”

Laura doesn’t answer.

“She probably isn’t well,” Ganymede says.

Sylvester turns his head and glares at Ganymede with threatening eyes.

“I wasn’t speaking to you,” Sylvester says, a menacing growl beneath his sharp tone.

Ganymede shrugs and continues eating his meal.

The warlord turns his gaze back to Laura and leans on the table.

“Eat,” Sylvester commands, glaring daggers at Laura.

The queen glares back at Sylvester and lifts her nose.

“No,” She says in a soft, defiant tone.

Glaring at the woman, Sylvester’s jaw tightens as he clenches his spoon so tight it bends under the pressure. He glares into the woman’s defiant eyes before his angry glare morphs into a smile. Dropping his bent spoon, he rests his back in his royal chair, picks up a red grape, and plops it into his mouth. He chews for a few moments, gazing at Laura with amusement, who keeps her defiant nose in the air.

“Guard!” Sylvester shouts.

A few moments pass before a lady Cugarian guard enters the room holding a spear. She leans in, bringing her smooth, dark-skinned head near his mouth as the warlord whispers in her ear. She smiles, then turns and exits. Sylvester picks up another grape and eats it as he calmly taps his finger on the table. A few moments pass, and the lady guard enters, holding Laura’s rapier in both hands. Sylvester takes the rapier and places it on the table. A short while later, the same Cugarian guard returns. This time, he returns with two Casternean men, horns protruding from their foreheads, dressed in white cooking clothes, and a Casternean maid, wings protruding from the sides of her head. The three stand beside Sylvester, sharing confused, worried looks.

Sylvester stands and clasps Laura’s rapier.

“Your Queen doesn’t like the food you’ve prepared,” Sylvester says before thrusting the blade into the man’s gut.

The man wails in agony as he falls to his knees with the rapier in his gut.

“DADDY!” The maid cries as she falls near her father as he screams in agony.

“HOW DARE YOU!” Enraged, Laura jumps from her chair and charges toward Sylvester.

 Resten springs from his chair and wraps his arms around his mother’s waist, stopping her.

The maid cries as she tries to console her father while Sylvester coldly glares at Laura, her face filled with unbridled rage.

Ganymede and Brenda stand to see the wounded man's state. Blood pools beneath him as his eyes roll around in his head, with cold sweat pouring down his face.

Ganymede and Brenda exchange glances and nod. Brenda quickly circles the table, grabs a white towel, and rushes to the dying man to tend to his wounds.

“Eat that turkey!” Sylvester demands, pointing to the plate.

“You coward!” Laura screams, fist balled in rage, while Resten uses all of his strength to hold Laura back. “You’re not my lord,”

“I DON’T GIVE A DAMN WHAT I AM TO YOU!” Sylvester screams back. “IF YOU THINK YOU HAVE A RIGHT TO YOUR OWN WILL, THEN CHALLENGE ME AND DEFEAT ME FOR IT. OTHERWISE, DO WHAT YOU ARE TOLD TO DO, OR I’LL HAVE EVERY CASTERNEAN HERE SLAUGHTERED RIGHT IN FRONT OF YOU!”

Laura, seething, teeth clenched and fist balled, glares menacingly at the Warlord as he lifts his nose. Everything in her screams at her to accept his challenge, but the trembling arms of her son wrapped around her waist make her relent. Tears roll down her cheeks as she swallows her pride and rage and slowly sits in her seat. Resten pants in exhaustion as he sits in his chair, his uniform now disheveled from the struggle. Laura picks up the utensils, stabs the fork into the savory turkey leg, and cuts off a piece. Her fork hand trembles as she brings it to her lips. She opens her mouth and eats the morsel.

Watching Laura eat the turkey leg, Sylvester slowly sits in his chair and scoots closer to the table. He picks up a bundle of grapes and resumes eating. Brenda dresses the man’s wounds on the floor before picking him up in her arms and carrying him out of the dining area, followed by his loved ones. Ganymede shakes his head, then sits in his seat as everyone finishes their dinner.

Later, in the fancy halls of Mainstay Castle, Ganymede paces back and forth on the crimson rug while Laura leans against her door. Ganymede glares at Laura as he walks past her, while Laura keeps her sullen head lowered.

“What the hell was that back there!” Ganymede says angrily, pointing toward the dining hall, but keeping his voice down. “Have you lost your mind!”

“Shut up, Ganymede,” Laura spits back angrily. “What would you do? I have to sit at that godforsaken table with that monster and listen to that disgusting beast eat like a pig day after day, all while he taunts and tortures me and my people?”

“Yes, Laura! Yes,” The chieftain spits back. “It’s been keeping us and our people alive. You almost got a man killed because of your antics.”

“Look at you.” Laura steps to Ganymede, head tilted up. “The mighty chieftain reduced to a man who eats from the hand of the very man who enslaves his people.”

“Oh, stop it,” Ganymede says. “You think I don’t want to crush his skull and pound his corpse into dust? I’ve tried hundreds of times. But time and time again, he manages to beat me. We need a better plan, Laura. We can’t keep this up much longer. Another battle between us might be the last, and you know what happens then, right?”

Laura lowers her head, worriedly stroking her own arms.

“That’s right, Brenda and Resten will take our places. You think they’re ready for what Sylvester has in store for em?”

“Resten is my precious son. I can’t lose him,” Laura’s voice trembles at the thought of her son’s suffering. “Not to him. Not like this.”

“Then it's best to put your petty emotions aside and cooperate.”

Laura nods in agreement.

“Forgive me.” She wipes a tear from her face.

Ganymede sighs in frustration, turns towards the stained-glass window, and rests his arm and forehead on it. He mulls over ideas, but nothing useful comes to mind.

“I haven’t seen my wife nor my daughters in a long time,” Ganymede says. “I’m happy to watch Brenda grow despite being imprisoned, but I wish things were different. I spent so much time fighting you; I feel that I know you better than my own family. At one time, I thought all that mattered was winning the war, but all I got out of it was this.”

“I haven’t seen my husband in years,” Laura says. “Sometimes I worry if I’ll ever see him again. We used to take Resten to the prairie fields and prance together under the evening sun until we fell asleep.” Laura wipes a tear from her eye. “I miss those days.”

A solemn silence settles between the two as they reminisce about better times at home.

“You think we’ll be able to return to those times, Laura?” Ganymede asks, still leaning on the stained-glass windows.

Laura stays silent, leaning against the door and nervously stroking her arms as she thinks about the answer.

“I don’t know.”