One of the first big crossover hits

"When the band reconvened after the American leg of the [Meddle](app://en.wikipedia.org/wiki/Meddle) tour, Roger Waters brought with him a prototype version of "Brain Damage" along with other songs such as "[Money](app://en.wikipedia.org/wiki/Money_(Pink_Floyd_song))". He had been playing the song during the recording of the Meddle album in 1971, when it was called "The Dark Side of the Moon". Eventually this title would be used for the album itself. The choruses include the lyric "I'll see you on the dark side of the moon."

After road testing the new suite entitled "A Piece for Assorted Lunatics", the song was recorded in October along with "[Any Colour You Like](app://en.wikipedia.org/wiki/Any_Colour_You_Like)". The piece represents Waters' association with acoustic-tinged ballads, and along with "[If](app://en.wikipedia.org/wiki/If_(Pink_Floyd_song))" and "[Grantchester Meadows](app://en.wikipedia.org/wiki/GrantchesterMeadows(song))", "Brain Damage" uses a simple melody and delivery. David Gilmour actively encouraged Waters to sing the song, even though at this time he wasn't particularly confident about his vocal abilities.
"

Invictus Records

https://www.allmusic.com/album/the-low-spark-of-high-heeled-boys-mw0000193689:
“
“The Low Spark of High Heeled Boys marked the commercial and artistic apex of the second coming of Traffic, which had commenced in 1970 with John Barleycorn Must Die. The trio who made that album were augmented by three others (Ric Grech, Jim Gordon, and "Reebop" Kwaku Baah) in the interim, though apparently the Low Spark sessions featured varying combinations of these musicians, plus some guests. But where their previous album had grown out of sessions for a Steve Winwood solo album and retained that focus, Low Spark pointedly contained changes of pace from his usual contributions of midtempo, introspective jam tunes. "Rock & Roll Stew" was an uptempo treatise on life on the road, while “